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Olympiad: String Orchestra Conductor Score & Parts

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Olympiad: String Orchestra Conductor Score & Parts

By Paul W. Whear

Grade: 3

Item: 36-10250062

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Description
An original work for string orchestra, by a master composer, Olympiad was composed in a quasi-Baroque style. In three movements, the second of which features a lyrical melody for violas and cellos, this is a very accessible work for players beginning to feel more confident on their instruments. A very worthy and worthwhile piece.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Olympiad: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: LudwigMasters Concert Strings
Publisher: Keiser Productions, Inc.
ISBN10: 1-62-876409-0
ISBN13: 978-1-62-876409-3
UPC: 660355037894
SKU: 36-10250062
Instrumentation: String Orchestra

More about this title

Why we love this

Whear writes with real understanding of what intermediate string players can handle without sacrificing musical substance. The quasi-Baroque idiom gives the piece architectural clarity, and that lyrical second movement provides genuine expression without demanding technical heroics. It's the kind of work that actually rewards careful rehearsal rather than just filling a festival slot.

What to expect

Olympiad carries the clarity and elegance of Baroque form without any didactic heaviness. The middle movement unfolds with genuine warmth, while the outer movements propel forward with rhythmic drive and contrapuntal interest that feels natural rather than imposed.

Who it's for

String orchestras at the Grade 3 level who are ready to tackle something more structured than simple folk arrangements but still need accessible string writing. This works equally well for students building confidence in ensemble reading and for programs seeking substantive contest or festival material.

How to get the most out of it

  • Shape the opening phrases with clear articulation in the outer movements; the Baroque language needs definition without heaviness.
  • Let the second movement breathe. The violas and cellos carrying the melody deserve space to sing, and the accompanying parts should support without rushing.
  • Balance the three movements as distinct characters. The third movement's energy shouldn't undo the contemplative mood you've built in the second.

How to use it

Program this at a festival or contest where judges appreciate architecturally sound writing over flashy effects. It also pairs well on a concert program with more contemporary works, giving you a chance to explore period language without leaving the string section entirely.

Skills your students will build

  • Reading and executing Baroque style articulation and phrasing
  • Balance and blend in multi-part string textures
  • Expression and tone control for sustained melodic lines
  • Independence in accompanying roles while maintaining ensemble cohesion
  • Three-movement structural thinking and dramatic pacing

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