Old Man Winter Cover Image

Old Man Winter: Choral Octavo SoundTrax CD

$27.99 USD
Sale price  $27.99 USD Regular price 
Skip to product information
Old Man Winter Cover Image

Old Man Winter: Choral Octavo SoundTrax CD

Words and music by Lois Brownsey and Marti Lunn Lantz

Item: 00-28484

$27.99
Shipped

One moment…

Description
As this folk-like original progresses, hand claps replace words of the winter text one syllable at a time. Partner song qualities, a bouncy beat, and an optional fiddle will make this a cold weather favorite.

Old Man Winter: Choral Octavo SoundTrax CD isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081310282
SKU: 00-28484

More about this title

About the Composer: Lois Brownsey

Lois Brownsey

Lois Brownsey developed her musical foundation in Philadelphia, where she studied at Temple University and the Guitar Workshop while immersing herself in musical theatre. Her long career as a performer spanned multiple genres and continents; she sang, played bass, and wrote material for pop, rock, and blues ensembles from 1973 until her transition away from live performance in 1997. She has also contributed jingles to major corporate clients including AT&T and GMC Truck Dealers.

For decades, Brownsey has partnered with Marti Lunn Lantz to create choral works and song collections that emphasize multicultural themes and seasonal material. Their published Alfred titles include "Winter's Frost," "The Colors of Winter," and "Deedle Deedle Dai," alongside thematic collections such as Celebrations around the World and The Wonders of the Earth. She has additionally collaborated with Sally K. Albrecht on holiday-focused works. Based in the Pocono Mountains of Pennsylvania, Brownsey remains active in her community as a Celebrant and cultural advocate. She and her husband Kent Heckman, a recording engineer, operate Red Rock recording Studios, which has served as the production hub for numerous Alfred publications.

Why we love this

The magic here lies in the progressive substitution of hand claps for lyrics; it transforms a straightforward winter text into a playful musical surprise that audiences genuinely enjoy watching unfold. The bouncy rhythm, partner song qualities, and optional fiddle part create a piece that feels fresh and contemporary rather than treacly seasonal fare, making it genuinely fun to rehearse and perform.

What to expect

Bright and slightly tongue-in-cheek, with a folk-music sensibility that keeps things grounded and approachable. The gradual replacement of text with hand claps gives the piece a mischievous quality, as though the choir is in on a musical joke that delights audiences.

Who it's for

Directors seeking an upbeat, engaging novelty piece that works well for winter concerts and holiday programs. The partner song structure and optional instrumentation make it versatile for choirs of varying sizes and skill levels who want something playful and contemporary.

How to get the most out of it

  • Establish the hand clap rhythm as a distinct ensemble sound before integrating it into the verse structure; this ensures the transition from words to claps reads as intentional and clear rather than accidental.
  • If you have access to a fiddler, use the optional part to add instrumental color and reinforce the folk-like character of the piece.
  • Keep the bouncy beat energized throughout; this style demands rhythmic confidence and forward motion, not a dragging or overly cautious approach.

How to use it

Perfect as a winter concert opener or closing number where you want to energize the audience. The novelty element and interactive quality (hand claps) work especially well in programs that blend traditional seasonal pieces with contemporary arrangements.

Skills your students will build

  • Rhythmic precision and ensemble coordination in a bouncy, syncopated style
  • Executing a partner song structure with accurate entrances and part independence
  • Integrating non-vocal sounds (hand claps) into harmonic textures
  • Maintaining energy and forward motion in a folk-inflected style

You May Also Like