O Come, O Come Emanuel Cover Image

O Come, O Come Emanuel: Brass Band Conductor Score & Parts

$35.00 USD
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O Come, O Come Emanuel Cover Image

O Come, O Come Emanuel: Brass Band Conductor Score & Parts

Traditional / arr. David Marlatt

Level: Easy-Medium

Item: 81-BB2234

$35.00
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Description
This piece was written in the thirteenth Century by an unknown composer. It has been set using a single melodic line as many Gregorian chants were constructed. One cornet player is asked to stand away from the group. This is to emulate the call and response between a soloist and congregation at a church service found in many denominations. This is a very effective treatment of this lesser known Christmas carol. (3:30)

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-702-2
ISBN13: 978-1-55472-702-5
UPC: 685462000326
SKU: 81-BB2234
Instrumentation: Brass Band

More about this title

Why we love this

Marlatt's arrangement respects the meditative plainchant tradition while creating genuine musical drama through spatial separation. The single cornet soloist creates a liturgical authenticity that congregations recognize immediately, and the easy-medium level makes this accessible to bands that might otherwise skip sacred repertoire during the holiday season.

What to expect

Reverent and grounded, with the soloist's voice calling from within a hushed harmonic embrace. The arrangement honors centuries of worship tradition while the spatial separation transforms a familiar melody into something contemplative and immediate.

Who it's for

Brass bands seeking accessible sacred music for winter concerts and Christmas services. This works equally well for community bands and school ensembles looking to add liturgical depth without technical complexity.

How to get the most out of it

  • Position the solo cornet player visibly apart from the main group, ideally at a slight distance or angle. This spatial distinction is essential to the piece's call-and-response concept and will be immediately apparent to the audience.
  • Shape each melodic phrase with gentle, lyrical phrasing rather than strict rhythmic precision. The Gregorian chant origin calls for singing-quality legato through the cornet and supporting voices.
  • Balance the solo cornet so it carries clearly above the ensemble without need for excessive volume. Let the band's harmonic foundation provide warmth while the soloist's tone remains pure and unforced.

How to use it

This fits naturally in a Christmas concert's quieter segment, offering contrast to more energetic holiday fare. It also serves well as a reflective opening or closing piece for school or community services during the Advent and Christmas seasons.

Skills your students will build

  • Sustaining long, legato phrases at a soft dynamic
  • Balancing ensemble texture around a featured soloist
  • Interpreting plainchant melody with proper phrasing and spiritual intent
  • Responding to spatial and visual cues during performance

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