Noel Fantasy: SAB Choral Octavo
The First Noel / Infant Holy, Infant Lowly
Traditional Carols / arr. David Waggoner
Item: 00-PO-0001635
Minimum order quantity: 20 copies
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About the Arranger: David Waggoner

David Waggoner holds degrees from the University of Michigan School of Music and a master's degree from Eastern Michigan University. He has spent his career creating music across multiple genres and instrumentation, with a particular focus on choral and handbells repertoire.
Waggoner currently serves as elementary music teacher in Woodhaven, Michigan, and holds the position of Director of Music at First United Methodist Church in Wyandotte, Michigan. His work reflects a deep commitment to both classroom music education and sacred music leadership.
Why we love this
Waggoner's approach to familiar carols feels genuinely inventive rather than sentimental. The recurring melodic motif he weaves throughout creates structural coherence while keeping the arrangement light and transparent, making it equally compelling for experienced ensembles and those still building three-part blend.
What to expect
Delicate and luminous, this arrangement treats beloved material with imagination while maintaining its essential character. Moments of harmonic simplicity alternate with richer voicing, creating an ethereal quality that feels both contemporary and timeless.
Who it's for
Directors seeking a Christmas octavo that respects singers' intelligence and audiences' familiarity with traditional carols will find this arrangement rewards both. It works beautifully for SAB choirs at intermediate to advanced levels who have developed some blend and independence between parts.
How to get the most out of it
- Balance the opening motif carefully across all three parts; it should float above the harmonic texture rather than anchor it. Listen for transparency over volume.
- Let the familiar carol melodies emerge naturally without oversinging them. The ethereal quality comes from restraint, not sweetness.
- Sculpt phrase arcs gently through the motif's appearances; each return should feel like a fresh discovery rather than a repetition.
How to use it
Pair this with a straightforward carol earlier in the concert to highlight how the same melody can be reimagined. It also serves as an elegant bridge between traditional and more modern sacred music in a holiday program, or as a striking closer to a choral set.
Skills your students will build
- Singing independent melodic lines in three-part voicing
- Sustaining a recurring harmonic and melodic motif across multiple phrases
- Blending and balance in transparent textures with minimal doubling
- Phrasing and shaping familiar melodies in a reimagined context