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Nighttime, Thoughts of the Day: String Orchestra Conductor Score

$4.00 USD
$4.00 USD
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Nighttime, Thoughts of the Day Cover Image
Nighttime, Thoughts of the Day: String Orchestra Conductor Score

Nighttime, Thoughts of the Day: String Orchestra Conductor Score

By David Bobrowitz

Grade: 2

Item: 36-50255243
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Description
One thing that most of us do at bedtime, is to review the happenings of the day. Composer David Bobrowitz has chosen a day that has gone well, and therefore, the thoughts in review are very pleasant. Bar 8 starts the day's review, and is quite serene in character. Bar 15, the ritard should be quite substantial, especially the last 3 quarter notes in bar 16. Bar 17 picks up the lovely melody again, this time with counter activity in the cellos and basses. Bar 29 should be a little faster, as the pizzicato technique sets a different tone for the day that was. Bar 41 is a repeat of the main melody, this time, without the counter low strings. One could think that the nighttime thoughts are beginning to calm, and sleep is on its way. All in all, Nighttime, Thoughts of the Day is a lovely selection that would be a wonderful offset to a fast, aggressive piece on your program. All parts have important material, and it should be a solid learning experience for your ensemble to play musically! (3:00)

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Additional Details
Series: LudwigMasters Developing Strings
Publisher: Keiser Productions, Inc.
ISBN10: 8-895637-12-7
ISBN13: 979-8-895637-12-8
UPC: 612735562137
SKU: 36-50255243
Instrumentation: String Orchestra

More about this title

Why we love this

Bobrowitz understands what young string orchestras need: a piece that sounds genuinely musical without demanding technical heroics. The arc from reflection to restfulness feels inevitable rather than constructed, and the orchestration ensures that every player has a moment to shine. It's the perfect antidote to repertoire that relies on speed and volume for effect.

What to expect

Quiet contentment settling in as evening arrives. The opening has the unhurried quality of memory; thoughts drift gently through pleasant moments of the day. As pizzicato enters midway through, there's a subtle shift to something lighter, almost nostalgic, before returning to that same serene calm as rest approaches.

Who it's for

Grade 2 string orchestras ready to explore contrasts in character and phrasing beyond basic technique. This score works beautifully for ensembles preparing for contests or festivals where a reflective, well-crafted piece demonstrates musical maturity.

How to get the most out of it

  • Shape the ritardando in bar 15 generously, letting the last three quarter notes in bar 16 breathe independently. This moment signals a shift in the emotional content and deserves time.
  • Balance the cello and bass countermelody entering at bar 17 so it supports rather than competes with the main melody in the upper strings. Blend over prominence.
  • Treat the pizzicato section starting at bar 29 as a tempo lift without rushing; the change in articulation naturally brightens the character without requiring a metronomic acceleration.
  • Keep the final statement of the main melody (bar 41) intimate. Without the lower countermelody, the texture becomes more exposed. Maintain evenness of tone across all sections.

How to use it

Program this after an energetic or technically demanding piece to reset the emotional temperature of your concert. The three-minute duration fits comfortably into mixed programs, and the gentle character provides relief without sacrificing musical substance. It's equally effective as a festival selection or as part of a themed concert exploring music about rest and reflection.

Skills your students will build

  • Sustaining long, even phrases across multiple measures
  • Balancing melody against countermelody in different registers
  • Executing smooth ritardandos with clear phrase direction
  • Transitioning between legato and pizzicato articulation while maintaining tone quality
  • Shaping dynamics for emotional effect rather than technical display

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