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Nighttime, Thoughts of the Day: String Orchestra Conductor Score & Parts

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Nighttime, Thoughts of the Day Cover Image

Nighttime, Thoughts of the Day: String Orchestra Conductor Score & Parts

By David Bobrowitz

Grade: 2

Item: 36-50250243

$40.00
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Description
One thing that most of us do at bedtime, is to review the happenings of the day. Composer David Bobrowitz has chosen a day that has gone well, and therefore, the thoughts in review are very pleasant. Bar 8 starts the day's review, and is quite serene in character. Bar 15, the ritard should be quite substantial, especially the last 3 quarter notes in bar 16. Bar 17 picks up the lovely melody again, this time with counter activity in the cellos and basses. Bar 29 should be a little faster, as the pizzicato technique sets a different tone for the day that was. Bar 41 is a repeat of the main melody, this time, without the counter low strings. One could think that the nighttime thoughts are beginning to calm, and sleep is on its way. All in all, Nighttime, Thoughts of the Day is a lovely selection that would be a wonderful offset to a fast, aggressive piece on your program. All parts have important material, and it should be a solid learning experience for your ensemble to play musically! (3:00)

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Additional Details
Series: LudwigMasters Developing Strings
Publisher: Keiser Productions, Inc.
UPC: 612735760991
SKU: 36-50250243
Instrumentation: String Orchestra

More about this title

Why we love this

Bobrowitz understands what young string orchestras need: a piece with genuine musical substance that doesn't rely on speed or volume to matter. The writing ensures every section carries real material, making this as rewarding to rehearse as it is to perform. Its reflective character makes it an ideal companion to high-energy repertoire, giving your program real dynamic shape.

What to expect

A quiet moment of contentment as the day settles into memory. The opening melody unfolds with genuine serenity, supported by calm harmonic movement. As pizzicato enters mid-piece, the texture lightens but never loses its introspective quality, like a mind winding down toward sleep.

Who it's for

String orchestras at the early intermediate level who are ready for music that asks them to think about phrase shape, balance, and character rather than technical display. Directors programming concerts where reflective, lyrical repertoire will strengthen the overall arc of their performance.

How to get the most out of it

  • Shape the ritardando in bars 15-16 with intention; the final three quarter notes should feel like a deliberate pause in thought rather than a rush to the cadence.
  • Bring out the cello and bass counter-melody starting at bar 17; it should register as clearly as the main line, not fade into accompaniment.
  • Adjust tempo slightly at bar 29 when pizzicato enters; this tonal shift signals a change in the day's reflection and gives the piece architectural variety.
  • Balance dynamic restraint with singing tone throughout; the piece's beauty lives in the warmth of the sound, not in pushing volume.

How to use it

Place this after an energetic or dramatic opening work to create breathing room and showcase the expressive range of your ensemble. Its modest length (three minutes) makes it an excellent closer to a contest or festival performance, leaving audiences with a peaceful, unified impression. It also pairs well with other Grade 2 selections in a thematic concert exploring quiet, contemplative music.

Skills your students will build

  • Singing legato lines with consistent tone quality
  • Balancing melody and counter-melody in different sections
  • Executing controlled ritardandos and tempo changes
  • Distinguishing pizzicato articulation from arco character
  • Maintaining ensemble cohesion in slow, exposed passages

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