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My Shot: SATB Choral Octavo

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My Shot: SATB Choral Octavo

From Hamilton

Words and music by Lin-Manuel Miranda with Albert Johnson, Kejuan Waliek Muchita, Osten Harvey, Jr., Roger Troutman, and Christopher Wallace / arr. Alan Billingsley

Item: 00-45663

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Description
Packed with intense hip-hop rhythms and rhymes, there are plenty of opportunities to feature soloists and small groups, while the full choir joins in on the infectious and driving chorus. A stunning opener or closer for your concert!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, My Shot: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 40
UPC: 038081514024
SKU: 00-45663

More about this title

About the Composer: Lin-Manuel Miranda

Lin-Manuel Miranda is a composer and lyricist whose work has fundamentally shaped contemporary musical theater. Best known for Hamilton, which won eleven Tony Awards and a Pulitzer Prize for Drama, Miranda brings sharp rhythmic language, hip-hop vernacular, and emotional depth to his compositions. His music bridges popular culture and theatrical storytelling, making complex historical and social narratives accessible to broad audiences.

Miranda's influence on music education extends beyond Broadway; his work has opened doors for ensemble arrangements that honor hip-hop and contemporary styles within concert settings. His collaborations with other songwriters and producers demonstrate how individual voices can blend into a larger artistic vision, a principle that resonates powerfully in choral rehearsals and performance.

Why we love this

This arrangement captures the raw energy and narrative drive of the original without losing the vocal accessibility your singers need. Alan Billingsley's adaptation makes room for featured soloists and small-group moments while keeping the collective power of the full ensemble intact, giving every voice in your choir something meaningful to do.

What to expect

The music pulses with infectious forward momentum, mixing rap verses with soaring choral moments that feel triumphant and anthemic. You'll hear the friction and release between tight rhythmic control and full-voiced emotional release, creating a piece that feels both modern and theatrical.

Who it's for

This piece speaks to choirs looking for contemporary repertoire that reflects the musical language their singers actually listen to. It's ideal for groups with strong rhythmic ensemble skills and singers willing to embrace hip-hop delivery and attitude alongside traditional vocal technique.

How to get the most out of it

  • Establish the hip-hop groove in early rehearsals by having your rhythm section (bass, drums if available) lock the pulse before layering voices. Even a cappella, the rhythmic precision of this piece depends on that foundation.
  • Treat your featured soloists and small groups as character voices, not just technical showcases. The rap passages tell a story; coach your singers to deliver the text with conviction and intention.
  • Pay attention to the dynamic contrast between verse sections and the chorus. The drive and intensity of the full choir on the chorus is most powerful when the earlier moments have clear restraint.
  • Consider how your accompaniment reinforces the hip-hop idiom. If you're using the recorded accompaniment, let your singers hear it in rehearsal early so they internalize the groove.

How to use it

Open or close a concert with this piece to energize your audience and frame your choir as relevant and contemporary. It pairs effectively on programs that mix classical and pop repertoire, or use it as a statement piece when you want to challenge audience expectations about what concert choirs can and do perform.

Skills your students will build

  • Hip-hop rhythmic vocabulary and syncopation
  • Ensemble rhythmic precision in complex meters
  • Soloist confidence and character interpretation
  • Blending contemporary speech rhythms with sung passages
  • Dynamic control and contrast between sections

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