My Shot Sheet Music Preview

My Shot: SSA Choral Octavo

From Hamilton

Words and music by Lin-Manuel Miranda with Albert Johnson, Kejuan Waliek Muchita, Osten Harvey, Jr., Roger Troutman, and Christopher Wallace / arr. Alan Billingsley

Item: 00-PO-0005544

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Description
Packed with intense hip-hop rhythms and rhymes, there are plenty of opportunities to feature soloists and small groups, while the full choir joins in on the infectious and driving chorus. A stunning opener or closer for your concert!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 40
SKU: 00-PO-0005544

More about this title

About the Composer: Lin-Manuel Miranda

Lin-Manuel Miranda is a composer and lyricist who changed musical theater by bringing contemporary hip-hop and rap language to the Broadway stage. His work on Hamilton: An American Musical earned him a Pulitzer Prize, a Grammy Award, and Tony Awards for Best Original Score and Best Original Lyrics, establishing him as a transformative voice in modern musical composition.

Miranda's music education impact extends far beyond Broadway. His ability to layer complex rhythmic and lyrical content into accessible, singable arrangements makes his work valuable for choral programs seeking contemporary material that engages students without sacrificing musical integrity or educational value.

Why we love this

Your students already know this music, which means you're building on genuine enthusiasm rather than teaching them to care. The arrangement gives you real flexibility: soloists can step forward and claim their moment, small groups can lock into the pocket, and the full choir has an irresistible hook to sink their teeth into. It's a straight-ahead choice for programming contemporary energy without sacrificing musicality.

What to expect

Propulsive and confident. The verses crackle with attitude and wordplay, building momentum through layers of voices until the chorus hits with undeniable drive. It's the sound of young performers claiming space and asserting themselves, grounded in infectious grooves and forward-moving energy.

Who it's for

Directors programming modern repertoire for SSA or SSAA choirs want material that excites students while offering real musical substance. This arrangement works for high school and adult amateur choirs confident enough to handle hip-hop rhythms and rap delivery without irony.

How to get the most out of it

  • Lock the rhythmic feel by rehearsing the spoken or rap sections separately from the sung material. The pocket matters more than pitch perfection in these moments; get the timing and attitude in place first.
  • Feature your strongest soloists early and rotate secondary voices through small-group sections. This arrangement thrives on personality and confidence, so casting matters as much as vocal technique.
  • Let the recorded accompaniment carry the bass and beat in rehearsal. Once your singers are secure, the backing track becomes invisible and lets them focus on their own parts and the energy of the ensemble.

How to use it

This works best as a concert opener that immediately signals to your audience that this won't be a traditional concert, or as a closer that leaves everyone energized. Pair it with contrasting material—perhaps something slower or more traditional earlier in the program—so the intensity of this piece lands with maximum impact.

Skills your students will build

  • Reading and executing syncopated rhythmic patterns in hip-hop context
  • Maintaining precise ensemble rhythm while managing rap and spoken text
  • Balancing lyrical expression with rhythmic accuracy
  • Projecting confidence and attitude in performance
  • Responding to recorded accompaniment cues and tempo stability

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