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Movie Songs by Special Arrangement: Piano Acc. (Instrumental) Book

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Movie Songs by Special Arrangement: Piano Acc. (Instrumental) Book

Jazz-Style Arrangements with a "Variation"

Arr. Carl Strommen

Level: Intermediate

Item: 00-0710B

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Description
Each collection contains 11 songs arranged for the instrumentalist wanting to play in a jazz style -- without the need to learn to improvise. All of the books are compatible, with only minimal changes in the "variation" section to accommodate the ranges and unique characteristics of the instruments.

The immortal and memorable motion picture titles are: Sweet Georgia Brown * Over the Rainbow * A Day in the Life of a Fool * Bye, Bye, Blackbird * As Time Goes By * Days of Wine and Roses * Emily * The Way You Look Tonight * Misty * On Green Dolphin Street * Almost Like Being in Love.

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Additional Details
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7579-0787-3
ISBN13: 978-0-7579-0787-6
UPC: 654979049623
SKU: 00-0710B
Instrumentation: Piano Acc.

More about this title

About the Arranger: Carl Strommen

Carl Strommen

Carl Strommen stands among the most frequently performed composer-arrangers across band, orchestra, jazz ensemble, and choral contexts. His music appears regularly on concert stages, in television broadcasts, and in film productions, and his work has earned him consecutive ASCAP Standard Writers Awards throughout his career.

A City College of New York graduate, Strommen maintains active ties to music education as an adjunct professor of orchestration and composition at C.W. Post Campus of Long Island University. He is frequently engaged as a clinician and commission writer, and divides his time between Long Island and Colorado with his family.

Why we love this

Strommen's arrangements let players inhabit the jazz tradition without forcing them into improvisation first. Each tune carries genuine harmonic sophistication and swing character, so students develop real jazz vocabulary while maintaining the security of a notated part. The collection spans recognizable standards that audiences love, making it ideal for building student confidence in a style that can feel intimidating to newcomers.

What to expect

These arrangements capture the elegance and warmth of mid-century American song. You'll feel the swing unfold beneath familiar melodies, with enough harmonic richness to hold your attention through multiple playings without veering into complexity that derails execution.

Who it's for

Intermediate instrumentalists ready to play jazz in a structured setting. This works for pianists developing their comping vocabulary as well as wind and brass players looking to expand beyond classical repertoire without the entry barrier of improvisation.

How to get the most out of it

  • Listen to the recorded accompaniment several times before rehearsal. Your rhythmic placement and phrasing choices will land more effectively once you've internalized the groove.
  • Treat the rhythm section comping and bass line as conversation partners, not obstacles. Lock onto specific moments where the piano voicings naturally align with your melodic contour.
  • Pay close attention to articulation markings in the "variation" section. These arrangements use slight adjustments there to highlight different instrumental characteristics, and those details shape the overall texture.
  • Sit with the bridge of each tune separately. Many of these standards shift harmonic perspective in the middle eight, and knowing that shift beforehand lets you breathe expressively instead of reacting.

How to use it

Position this collection in a casual concert setting where audiences appreciate the intersection of jazz language with beloved film standards. It also pairs well with a studio jazz band or combo evening, offering both soloists and ensemble players material that builds confidence before tackling improvisation-heavy repertoire.

Skills your students will build

  • Swing eighth-note articulation and rhythmic placement
  • Reading jazz chord symbols and harmonic progressions
  • Stylistic phrasing that balances written melody with jazz inflection
  • Listening to accompaniment layers and playing in conversation with comping voices
  • Understanding bridge structures and harmonic shifts in standard song forms

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