Movie Songs by Special Arrangement: Alto Saxophone Book & Online Audio

Strommen has solved a real problem for jazz educators: how to get intermediate students playing authentic jazz stylings without forcing them into improvisation first. The song selection spans generations of film history, giving students repertoire they recognize and can connect to emotionally, which translates to better practice habits and more confident performances.

Stepping into a classic film moment every time you play. These melodies carry decades of cinematic memory, from the wistfulness of Misty to the swagger of Bye, Bye, Blackbird, all arranged with that warm, big-band sensibility that makes jazz feel both sophisticated and genuinely approachable.

Intermediate alto saxophonists ready to explore jazz phrasing and articulation without the pressure of improvising. This works for high school jazz bands, community jazz ensembles, or advanced middle school soloists looking to expand beyond classical concert repertoire.

• Lean into the swing feel from the opening notes. The recorded accompaniment establishes the rhythmic pocket clearly, so lock in early rather than waiting to find the groove.
• Balance the written melody against the harmonic richness underneath. These songs aren't just tunes to play on top; they're complete arrangements where your line weaves through the ensemble sound.
• Pay attention to the dynamic shapes within phrases. Jazz interpretations require subtle shaping that goes beyond the printed markings; listen to the recording for how pros handle the rubato and breath points.
• Work the altissimo passages deliberately. A few of these melodies reach high, and intonation matters more in jazz than in classical playing. Spend focused time on voicing in those upper register moments.

Slot individual songs into jazz band sets throughout the year, or program several together as a nostalgic concert feature celebrating American film. These arrangements also work beautifully as a bridge for classical students first entering jazz repertoire, offering familiar song structures with swinging style.

• Jazz articulation and phrasing (swing eighth notes, accent placement)
• Reading jazz chord changes and harmonic context
• Dynamic control in the altissimo register
• Listening and matching style to recorded accompaniment
• Melodic interpretation beyond printed notation