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Movie Songs by Special Arrangement: Tenor Saxophone Book & Online Audio

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Movie Songs by Special Arrangement Cover Image

Movie Songs by Special Arrangement: Tenor Saxophone Book & Online Audio

Jazz-Style Arrangements with a "Variation"

Arr. Carl Strommen

Level: Intermediate

Item: 00-0706B

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Description
Each collection contains 11 songs arranged for the instrumentalist wanting to play in a jazz style -- without the need to learn to improvise. All of the books are compatible, with only minimal changes in the "variation" section to accommodate the ranges and unique characteristics of the instruments.

The immortal and memorable motion picture titles are: Sweet Georgia Brown * Over the Rainbow * A Day in the Life of a Fool * Bye, Bye, Blackbird * As Time Goes By * Days of Wine and Roses * Emily * The Way You Look Tonight * Misty * On Green Dolphin Street * Almost Like Being in Love.

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Additional Details
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7579-0783-0
ISBN13: 978-0-7579-0783-8
UPC: 654979049586
SKU: 00-0706B
Instrumentation: Tenor Saxophone

More about this title

About the Arranger: Carl Strommen

Carl Strommen

Carl Strommen stands among the most frequently performed composer-arrangers across band, orchestra, jazz ensemble, and choral settings worldwide. His work appears regularly in concert halls, broadcast media, and film soundtracks, while his reputation as both clinician and commission writer keeps him in steady demand across the country and beyond.

A City College of New York graduate, Strommen remains connected to music education as an adjunct professor of orchestration and composition at Long Island University's C.W. Post Campus. His consistent output and versatility have earned him multiple ASCAP Standard Writers Awards. He divides time between his home on Long Island and extended stays in Colorado with his family.

Why we love this

These arrangements capture the essence of classic film standards while removing the improvisation requirement that often stops intermediate players from accessing jazz repertoire. Strommen's writing preserves the harmonic sophistication and swing feel of the originals while keeping the melodic line singable and the technical demands reasonable. You get 11 instantly recognizable titles that audiences genuinely want to hear, paired with recorded accompaniments that let students focus on phrasing and tone rather than counting beats.

What to expect

Stepping into the golden age of cinema, where melody reigns and swing lives in the silence between notes. These arrangements exhale with the warmth of small jazz combos and the glamour of movie theater orchestras, inviting you to play with the kind of mature phrasing that makes a simple tune unforgettable.

Who it's for

Intermediate tenor saxophonists who are ready to play jazz-influenced literature but haven't yet developed improvisation skills or confidence. This works equally well for student soloists in a jazz band setting or for concert band directors looking to add accessible swing material to a mixed ensemble program.

How to get the most out of it

  • Lean into the relaxed articulation and behind-the-beat phrasing that defines these melodies; the recordings model the style, so listen carefully to how the melody sits against the rhythm section.
  • Balance solo work with the ensemble texture by studying the variation sections, which often shift between full texture and lighter accompaniment to highlight your voice.
  • Adjust your vibrato width and speed to match the laid-back character of each song; these ballads and standards demand restraint compared to classical phrasing.

How to use it

Feature one or two of these as a standalone jazz set in a pops concert or holiday program, where their accessibility and appeal to general audiences shines. They also work beautifully as solo vehicles for competitions or auditions, since each one demonstrates musicality and control without demanding improvisation skills. Pair several titles together to create a themed evening celebrating classic film music.

Skills your students will build

  • Playing with swing articulation and relaxed rhythmic phrasing
  • Interpreting lead sheets and jazz-style chord changes without improvising
  • Balancing solo work with ensemble texture
  • Shaping longer phrases using vibrato and dynamic control
  • Reading variations that accommodate instrument-specific ranges

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