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Morceau Symphonique: Brass Choir Score & Parts

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Morceau Symphonique Cover Image

Morceau Symphonique: Brass Choir Score & Parts

Solo Trombone Feature

By Felix Alexandre Guilmant / arr. David Marlatt

Level: Medium-Difficult

Item: 81-BC2650

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Description
This trombone solo is playable by a very good high school level player. It has been recorded by all the great soloists and is a required piece on many competition lists. The powerful supporting material make the remaining ensemble parts interesting and challenging. It has been scored for a brass ensemble of solo trombone, 4 trumpets, 4 horns, 2 trombones, euphonium, tuba and timpani.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-645-X
ISBN13: 978-1-55472-645-5
UPC: 685462000616
SKU: 81-BC2650
Instrumentation: solo trombone 4.4.2.1.1.perc

More about this title

About the Composer: Felix Alexandre Guilmant

Felix Alexandre Guilmant (1837-1911) was a French organist, composer, and pedagogue whose works bridged the Romantic era and early modern compositional styles. He held the position of organist at La Trinité in Paris for decades and founded his own music school, where he taught harmony and composition to generations of musicians. His prolific output includes organ works, chamber music, and orchestral pieces that remain staples of competitions and recitals worldwide.

Why we love this

This arrangement captures everything that makes the original such a standard on competition circuits: a trombone part that demands technical security and musicianship from a strong high school soloist, paired with ensemble writing substantial enough to keep every brass section member engaged. Guilmant's melodic architecture and harmonic vocabulary sit perfectly in this medium-difficult range, making it equally rewarding for advancing players and competitive programs.

What to expect

Grand and ceremonial, with moments of intimate warmth woven through ornate harmonic progressions. The writing balances virtuosic trombone lines against a full brass sound that swells and recedes, creating a sense of formal dignity without sacrificing emotional depth.

Who it's for

Advanced high school brass players and college ensembles preparing competitive repertoire. The solo trombone part challenges a capable soloist with technical passages and sustained lyrical writing, while the brass choir arrangement keeps the full ensemble musically invested throughout the piece.

How to get the most out of it

  • Secure the solo trombone's intonation with the four horns during the sustained harmonic passages; horn tuning will anchor the soloist's pitch center.
  • Balance the trumpet section carefully against the trombone line so the solo voice projects without the ensemble becoming thin or recessive.
  • Shape the full ensemble climaxes with clear dynamic arcs rather than sudden swells; Romantic-era phrasing benefits from gradual intensity and release.
  • Mark cues clearly for the timpani entries, as they define structural moments and must land with rhythmic precision to support the brass texture.

How to use it

Schedule this as a feature work on a concert that celebrates your brass section's technical capabilities and ensemble balance. It works particularly well in competitive festival settings or as a centerpiece on a mixed repertoire concert where you can pair it with contrasting chamber works.

Skills your students will build

  • Sustained lyrical phrasing in a solo role with full ensemble support
  • Brass section balance across four voice parts at medium-difficult harmonic density
  • Intonation tuning within sustained chord changes
  • Rhythmic precision in ensemble climaxes and cut-offs
  • Interpretation of Romantic-era articulation and rubato in brass writing

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