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Morceau Symphonique: Concert Band Conductor Score & Parts

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Morceau Symphonique Cover Image

Morceau Symphonique: Concert Band Conductor Score & Parts

Solo Trombone and Concert Band

By Felix Alexandre Guilmant / arr. David Marlatt

Grade: 3

Item: 81-CB29154

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Description
This trombone solo is playable by a very good high school level player (about a grade 4--5 level). It has been recorded by all the great soloists and is a required piece on many competition lists. The powerful and organ-like supporting material make the remaining ensemble parts interesting and challenging.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 228
ISBN10: 1-55473-401-0
ISBN13: 978-1-55473-401-6
UPC: 685462014026
SKU: 81-CB29154

More about this title

About the Composer: Felix Alexandre Guilmant

Felix Alexandre Guilmant (1837, 1911) was a French organist and composer who shaped the concert band repertoire during the late Romantic era. His works for winds and brass established the genre as a serious concert medium, moving beyond military band conventions to create pieces with genuine artistic depth and orchestral sophistication.

Guilmant's compositions remain foundational to band programming because they bridge classical form with the expressive possibilities of wind instruments. His mastery of harmonic color and structural clarity influenced generations of band arrangers and composers who followed.

Why we love this

This work justifies its place on competition circuits because the solo line carries unmistakable melodic authority while the band writing rises well above accompaniment. Directors appreciate how the ensemble parts demand genuine musicianship from non-soloists, creating a rich, full sound that reflects the organ-based harmonies Guilmant originally conceived.

What to expect

The piece unfolds with the gravitas and ceremonial warmth of organ music translated to the concert band medium. Sustained harmonies and lyrical phrasing create an atmosphere of nobility and reverence, while the trombone's powerful upper register brings heroic declaration to the foreground.

Who it's for

Advanced high school trombonists preparing for solo competitions or honor band auditions will find a standard work that opens doors to serious musical development. Concert bands seeking to program a showpiece that demands ensemble excellence across the entire instrumentation benefit from the full, organ-like voicing throughout.

How to get the most out of it

  • Balance the trombone's sustained lines against the full band texture by shaping phrases rather than relying on volume alone; the solo voice cuts through Romantic-era harmony when phrased musically.
  • Shape the ensemble's chordal progressions as if they were organ stops being engaged and released; this underscores the piece's origins and gives supporting voices architectural clarity.
  • Rehearse the relationship between solo cadenzas and ensemble entries carefully; the solo often leads into tutti sections, so the soloist must command the transitions.

How to use it

Feature this as a concert centerpiece where a solo showcase also strengthens the full ensemble's musicianship; it pairs naturally with other Romantic masterworks and works well in spring concerts where technical confidence and musical maturity are on full display.

Skills your students will build

  • Sustained legit tone production across the trombone's full range
  • Lyrical phrasing over long, Romantic-era melodic lines
  • Intonation adjustment within dense harmonic contexts
  • Ensemble balance and blend when supporting an extended solo line
  • Interpretation of organ-derived harmonic progressions

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