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Missa Festiva: Choral SoundPax

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Missa Festiva Cover Image

Missa Festiva: Choral SoundPax

By John Leavitt

Item: 00-39682

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Description
Considered to be one of the most important choral works of our time, each of five individual movements is beautifully set with strength and dignity. The Latin texts from the Mass Ordinary provide a vehicle for excellent choral singing. This revised edition offers an expanded chamber orchestration and additional voicings. Instrumentation includes: 1 - Director's Score, 1 - Flute 1, 1 - Flute 2, 1 - Oboe, 1 - Clarinet 1 in B-flat, 1 - Clarinet 2 in B-flat, 1 - Clarinet 1 in A, 1 - Clarinet 2 in A, 1 - Bassoon, 1 - Percussion 1, 1 - Percussion 2, 1 - Percussion 3, 1 - Harp, 3 - Violin 1, 3 - Violin 2, 3 - Viola, 2 - Cello, and 1 - String Bass.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Missa Festiva: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Publisher: Alfred Music
Page Count: 188
UPC: 038081443430
SKU: 00-39682
Instrumentation: SoundPax

More about this title

About the Composer: John Leavitt

John Leavitt has established himself as one of the most prolific and performed composers in American choral music. His works span sacred and secular repertoire, with particular strength in liturgical settings that balance accessibility with musical substance. Leavitt's compositions appear regularly on festival programs, in worship services, and on concert stages across the country, earning respect for their craftsmanship and singability.

Why we love this

This revised edition gives you everything a director needs for a major choral statement: an expanded chamber orchestration that transforms the sound without overwhelming the choir, thoughtfully written additional voicings that serve genuine musical purposes rather than padding ensemble numbers, and five movements of the Mass Ordinary that sit comfortably in the voice and reward careful attention to phrasing. It's substantial enough to anchor a concert or worship series, yet structured clearly enough that rehearsal time stays focused on musical issues rather than logistics.

What to expect

The music unfolds with both ceremonial weight and genuine lyricism. Instrumentation and choral writing support one another to create moments of luminous sound, grounded by the formal structure of the Mass Ordinary and elevated by Leavitt's care for the vocal line.

Who it's for

Directors leading choirs with access to chamber orchestral players or resources to hire them will find this work opens substantial programming opportunities. The revised voicings make it viable for choirs of varying sizes while maintaining the dignity and strength the work demands.

How to get the most out of it

  • Balance the chamber orchestration carefully during rehearsal by working the choral parts to independence first, then introducing instruments gradually so the choir's text remains the primary focus rather than doubling voice lines.
  • Shape each movement as a self-contained statement while maintaining architectural coherence across the entire work; the five movements work best when conducted with attention to both individual character and cumulative effect.
  • Encourage singers to engage fully with the Latin texts by spending rehearsal time on pronunciation and understanding the meaning of each section, as the liturgical content deepens musical commitment.

How to use it

This work functions equally well as a concert centerpiece or as the anchor of a worship service dedicated to sacred choral music. Its length and scope suit a spring festival or special occasion concert where you want to make a substantial musical statement with chamber orchestra support.

Skills your students will build

  • Singing Latin liturgical texts with proper diction and musical engagement
  • Sustaining long phrases with consistent tone and breath support across five movements
  • Balancing blend and clarity when singing with chamber orchestral accompaniment
  • Understanding the musical and textual structure of the Mass Ordinary
  • Responding to nuanced conducting through longer, through-composed structures

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