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Midnight Snack: Jazz Ensemble Conductor Score

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Midnight Snack: Jazz Ensemble Conductor Score

By Rick Hirsch

Grade: 1 (Easy)

Item: 00-47510S

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Description
A very clever chart for a younger band featuring a few sound effects. An easy swing played around 132 BPM with written solos cued for all saxes and trumpets. Trumpet 1 range is to written E-flat top space, optional flute, clarinet, and vibes parts too. This title available in MakeMusic Cloud.

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Additional Details
Series: First Year Charts for Jazz Ensemble
Publisher: Alfred Music
Page Count: 16
UPC: 038081547213
SKU: 00-47510S

More about this title

About the Composer: Rick Hirsch

Rick Hirsch

Rick Hirsch earned degrees from UMass-Amherst and Northern Illinois University, launching his professional life as a music copyist for jazz legends Bob Mintzer and Toshiko Akiyoshi. His compositional voice has reached a broad roster of artists: he has written for jazz masters Yusef Lateef and Eddie Henderson, classical ensembles like the Capitol Quartet, and the renowned Penn State Blue Band.

Hirsch maintains an active presence as a guest conductor for All-State and District Jazz Bands across the country and previously held faculty status at Penn State University. In 2017, his ensemble BIG OL' BAND released their debut album, Pocono Git-Down, which celebrates the dynamic jazz communities thriving outside major metropolitan centers.

Why we love this

Hirsch crafted this chart specifically for younger ensembles without sacrificing harmonic sophistication or genuine swing feel. The cued solos across all saxes and trumpets give every section player a moment in the spotlight, while the sound effects and clever title keep the rehearsal room engaged and smiling.

What to expect

Easy, playful, and genuinely swinging. The chart bounces with personality and humor, punctuated by clever effects that invite the ensemble to have fun while executing real jazz fundamentals. It's the sound of a young band discovering their groove.

Who it's for

First-year jazz ensemble directors leading high school or advanced middle school groups ready for their first swing charts with solos. Players benefit from straightforward ranges and rhythmic clarity while still tackling authentic jazz articulation and phrasing.

How to get the most out of it

  • Keep the swing eighth notes relaxed and bouncy at 132 BPM; lock the rhythm section's feel before layering in the horns.
  • Balance the written solos so they breathe as conversation, not showcase. The accompanying voices should support without crowding the soloist.
  • Lean into the sound effects with precision and timing; they land best when the ensemble commits fully to the comedic intent.
  • Check your vibes player's setup early; the optional part adds color and should sit clearly in the mix without overpowering the reeds.

How to use it

Open a jazz concert with this piece to set a welcoming, energetic tone. Pair it with one ballad and one up-tempo chart to round out a full evening, or use it mid-season when solos are solid but confidence is still building.

Skills your students will build

  • Swing eighth-note feel and articulation
  • Reading and executing written solos with proper jazz phrasing
  • Balanced blend and conversation within a section
  • Rhythmic precision with sound effects and ensemble synchronization
  • Reading optional instrumental parts (flute, vibes)

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