Messiah, HWV 56 (complete, Prout Edition) Cover Image

Messiah, HWV 56 (complete, Prout Edition): Full Orchestra Conductor Score & Parts

$450.00 USD
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Messiah, HWV 56 (complete, Prout Edition) Cover Image

Messiah, HWV 56 (complete, Prout Edition): Full Orchestra Conductor Score & Parts

By George Frideric Handel / arr. Ebenezer Prout

Item: 36-A261102

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Description
This edition of George Frideric Handel's most famous work was edited by Ebenezer Prout, and includes additional accompaniments largely re-written by him. The preface provided by Prout offers an extensive explanation of what edits were made and why he made them. Instrumentation included in the set: 2.2.2.2: 2.2.3.0: Timp: Org.Pno: Str (4-4-3-3-3): Soli SATB: Mixed Chorus. Vocal scores are available separately.

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Additional Details
Series: Kalmus Choral Library
Publisher: Keiser Productions, Inc.
UPC: 676737805081
SKU: 36-A261102
Instrumentation: Detailed Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Org.Pno: Str (4-4-3-3-3): Soli SATB: Mixed Chorus

More about this title

About the Composer: George Frideric Handel

George Frideric Handel (1685-1759) stands as one of the Baroque era's most prolific and commercially successful composers. Born in Saxony and trained in Italy, he settled in London in 1712, where he became the dominant figure in English musical life for nearly five decades. His ability to blend Italian melodic gifts with German contrapuntal rigor and English theatrical sensibilities made his works immediately accessible yet intellectually substantial.

Why we love this

The Prout edition brings scholarly care to Handel's masterwork without compromising its theatrical immediacy. Prout's extensive preface documents every revision, making this edition invaluable for conductors who want to understand how Baroque orchestration translates to modern ensembles. For programs balancing historical authenticity with practical performance needs, this represents a thoughtful middle ground that serves both the music and your musicians.

What to expect

Messiah combines intimate contemplation with overwhelming magnificence. Tender recitatives and gentle pastoral movements yield to vast choral proclamations, while the orchestra shifts between delicate accompaniment and triumphant grandeur. The entire arc moves toward transcendence, particularly in the closing choruses.

Who it's for

This edition serves conductors of university orchestras, regional opera companies, and advanced community ensembles with strong choral resources. You need singers capable of handling SATB soloists alongside mixed chorus, and orchestral musicians experienced with Baroque oratorio style.

How to get the most out of it

  • Study Prout's preface carefully before rehearsals begin; understanding his editorial rationale helps you make informed decisions about pacing and orchestral balance rather than following unmarked scores by rote.
  • Address the dialogue between soloists and chorus early. The dramatic structure depends on clear textual communication from all vocal forces, which requires precise diction rehearsal separate from orchestral sectionals.
  • Manage the organ and continuo part actively as a conductor. Even with Prout's rewritten accompaniments, the keyboard remains essential for maintaining harmonic unity across the full ensemble, particularly in recitatives and dense choral sections.
  • Allow adequate rehearsal time for the brass and timpani to lock with the strings and woodwinds. Handel's scoring often asks these sections to define rhythmic and harmonic moments that can obscure without clear ensemble listening.

How to use it

Messiah works as a complete program or as the centerpiece of a holiday season concert. Its length and emotional journey make it suitable for dedicated performance slots rather than paired programming. Many orchestras perform it annually during late autumn or early winter, pairing it with lighter instrumental works only when necessary for pacing variety.

Skills your students will build

  • Reading and interpreting Baroque continuo notation and orchestration
  • Conducting recitative with flexibility while maintaining metric stability
  • Balancing solo voices with large choral forces
  • Coordinating complex rhythmic figures across string, wind, and brass sections
  • Understanding historical performance practice through editorial documentation

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