Messiah, HWV 56 (complete, Prout Edition) Cover Image

Messiah, HWV 56 (complete, Prout Edition): Detailed Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Org.Pno: Str (4-4-3-3-3): Soli SATB: Mixed Chorus Cantata/ Oratorio, Orchestra Accompaniment, Score

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Messiah, HWV 56 (complete, Prout Edition) Cover Image

Messiah, HWV 56 (complete, Prout Edition): Detailed Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Org.Pno: Str (4-4-3-3-3): Soli SATB: Mixed Chorus Cantata/ Oratorio, Orchestra Accompaniment, Score

By George Frideric Handel / arr. Ebenezer Prout

Item: 36-A261101

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This edition of George Frideric Handel's most famous work was edited by Ebenezer Prout, and includes additional accompaniments largely re-written by him. The preface provided by Prout offers an extensive explanation of what edits were made and why he made them. Instrumentation included in the set: 2.2.2.2: 2.2.3.0: Timp: Org.Pno: Str (4-4-3-3-3): Soli SATB: Mixed Chorus. Vocal scores are available separately.

Messiah, HWV 56 (complete, Prout Edition): Detailed Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Org.Pno: Str (4-4-3-3-3): Soli SATB: Mixed Chorus Cantata/ Oratorio, Orchestra Accompaniment, Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Series: Kalmus Choral Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-88-852094-5
ISBN13: 979-8-88-852094-9
UPC: 676737979577
SKU: 36-A261101
Instrumentation: Detailed Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Org.Pno: Str (4-4-3-3-3): Soli SATB: Mixed Chorus

More about this title

About the Composer: George Frideric Handel

George Frideric Handel (1685-1759) was a German-born composer who spent much of his creative life in England, where he became the dominant figure in opera and oratorio during the 18th century. His mastery of melody, harmonic structure, and orchestration made him one of the most performed composers of his era, and his works remain central to the choral and orchestral repertoire today.

Handel composed Messiah in 1741 for performance in Dublin, and it quickly became his most celebrated work. The oratorio's combination of solo arias, choral movements, and instrumental interludes demonstrates his gift for writing music that is both dramatically compelling and technically sophisticated. For conductors and singers, Messiah represents an essential touchstone in understanding Baroque vocal writing and orchestral practice.

Why we love this

Prout's edition brings scholarly rigor and practical conductability to one of music's greatest achievements. His rewritten accompaniments respect Handel's voice-leading and harmonic intent while providing the texture and support that modern orchestras expect, and his detailed preface serves as a masterclass in editorial decision-making. This version allows conductors to present Messiah with full instrumental color without compromising historical awareness.

What to expect

Messiah unfolds as a spiritual journey: opening with quiet instrumental contemplation, building through luminous alto arias and soprano passages, erupting into the thrilling "Hallelujah," and closing with movements of profound emotional and harmonic resolution. The Prout edition enhances these dramatic arcs with rich orchestral writing that deepens the listener's engagement while maintaining the work's essential vocal focus.

Who it's for

This full orchestral score is designed for conductors leading complete or substantial performances of Messiah with professional or advanced amateur orchestras and choruses. It suits music directors preparing oratorio concerts, festival productions, or educational performances that demand orchestral authenticity and conducting control.

How to get the most out of it

  • Study Prout's preface carefully before rehearsing; understanding his editorial choices will inform your interpretation of tempos, dynamics, and phrase shaping throughout the work.
  • Establish clear communication with your soloists about the relationship between their vocal line and the orchestral accompaniment, particularly in movements where Prout has expanded the instrumental texture.
  • Balance the organ and piano continuo thoughtfully; they anchor harmonic progression but should not overshadow the string sections or solo voices.
  • Conduct the choral sections with attention to text clarity and rhythmic precision, as the mixed chorus often carries both structural weight and dramatic emphasis.

How to use it

Program Messiah as a complete work for holiday seasons, Easter celebrations, or special concert events that justify a two-and-a-half-hour investment. Alternatively, many conductors present carefully selected sections (Part I, the "Hallelujah" with surrounding movements, or a curated medley of arias and choruses) to showcase the work's greatest moments within a mixed repertoire concert.

Skills your students will build

  • Reading and conducting Baroque orchestration with period-appropriate articulation and phrasing
  • Balancing solo voices with full orchestral accompaniment
  • Coordinating ensemble singers with instrumental musicians across movements of varying texture and density
  • Interpreting historical accompaniment arrangements and understanding editorial methodology
  • Managing dramatic pacing across a large-scale multi-movement work

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