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Meant to Be: Choral Octavo SoundTrax CD

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Meant to Be Cover Image

Meant to Be: Choral Octavo SoundTrax CD

Words and music by Joshua Miller, David Garcia, Tyler Reed Hubbard, and Bleta Bebe Rexha / arr. Andy Beck

Item: 00-47133

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Description
Bebe Rexha and Florida Georgia Line debuted atop the Hot Country Songs chart in fall 2017 with this his-and-hers country pop duet. Presented here for mixed voices, the chorus gets the harmonized hook, while soloists are featured on the verses. Handclaps at the end help bring the song to an energized finish.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081539041
SKU: 00-47133

More about this title

Why we love this

This arrangement captures the appeal of a chart-topping duet while giving your full choir meaningful work. The mix of solo verses and harmonized chorus ensures singers at different experience levels stay engaged, and the recorded accompaniment lets you build polish quickly without extensive rehearsal time devoted to rhythmic precision.

What to expect

Bright and infectious, with the swagger of a modern country-pop crossover hit. The energy builds from the intimate verses to an anthemic, handclap-driven finish that leaves audiences smiling.

Who it's for

Mixed choirs seeking contemporary pop repertoire that connects with students' musical tastes. This works well for groups comfortable with stylized pop singing and eager to perform current chart material that still offers genuine musical challenge.

How to get the most out of it

  • Balance the solo voices over the choir in verse sections; use the recorded track to find the right dynamic level during early rehearsals, then gradually reduce reliance on it as singers internalize the groove.
  • Shape the chorus hook with clear vowel unification across all voice parts to let the harmony cut through cleanly.
  • Make the handclap section at the end rhythmically precise and energized; even a small choir clapping together creates momentum, so count it in confidently and maintain forward motion.
  • Lock the rhythm section (bass and kick drum in the track) with your lower voices to establish a solid groove that supports the soloists.

How to use it

Program this as an energizer in a concert of mixed repertoire, particularly if you're pairing classical or show tunes with contemporary selections. It works especially well as a closer or second-to-last piece, where its upbeat character and audience familiarity can send people out happy.

Skills your students will build

  • Balancing solo and ensemble textures within a single arrangement
  • Singing with rhythmic precision in a contemporary pop idiom
  • Navigating genre-specific vocal production (pop/country phrasing and tone)
  • Executing rhythmic precision in unison passages (handclaps, spoken or sung interjections)

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