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Meant to Be: SATB Choral Octavo

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Meant to Be: SATB Choral Octavo

Words and music by Joshua Miller, David Garcia, Tyler Reed Hubbard, and Bleta Bebe Rexha / arr. Andy Beck

Item: 00-47131

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Description
Bebe Rexha and Florida Georgia Line debuted atop the Hot Country Songs chart in fall 2017 with this his-and-hers country pop duet. Presented here for mixed voices, the chorus gets the harmonized hook, while soloists are featured on the verses. Handclaps at the end help bring the song to an energized finish.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Meant to Be: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081539027
SKU: 00-47131

More about this title

Why we love this

This arrangement captures the infectious energy of a chart-topping hit while giving your choir real work to do. The verse-chorus structure lets soloists shine while the harmonized hook keeps the ensemble engaged, and the handclap finale is a guaranteed crowd-pleaser that feels earned rather than gimmicky.

What to expect

Bright, forward-moving, and infectious. The song straddles pop and country with a modern sheen that feels current and accessible, yet the arrangement gives it enough harmonic shape that singers feel like they're performing something crafted, not just mimicking a recording.

Who it's for

Choirs seeking repertoire that connects with contemporary tastes and energizes audiences without sacrificing musicality. This works well for mixed choirs with a soloist or two who can carry the verses with confidence and charisma.

How to get the most out of it

  • Lock the rhythmic pocket with your rhythm section or recorded accompaniment from the start. The groove drives this piece, so precision in the opening verses pays dividends when the full choir enters.
  • Shape the harmonized chorus hook with clear voice leading. Each part should sing its melodic contour independently so the blend sits as a unified hook rather than a vertical blur.
  • Balance soloists prominently in the verse sections without losing the choir's foundation in the harmony. This is a feature moment for their voices, but the harmonic support matters.
  • Bring genuine energy to the handclap section at the end. This moment sells the song's contemporary spirit; treat it as part of the arrangement, not an afterthought.

How to use it

Program this on a spring or end-of-year concert where you want to shift the mood toward something celebratory and contemporary. It pairs well alongside other pop or secular titles and reads as a palate cleanser after heavier choral works.

Skills your students will build

  • Balancing solo and ensemble textures
  • Executing rhythmic precision in a groove-based accompaniment
  • Singing independent melodic lines within a harmonic texture
  • Performing contemporary popular music with stylistic authenticity

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