May the Season Never End Cover Image

May the Season Never End: SAB Choral Octavo

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May the Season Never End Cover Image

May the Season Never End: SAB Choral Octavo

Words by Tom Durley and Jay Althouse, music by Jay Althouse

Item: 00-34763

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Description
"December nights bring great delights of friendship and good cheer." Celebrate the joys of the holiday season with this delightful contemporary madrigal-like choral. Perfect as a festive processional or during a madrigal feast.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, May the Season Never End: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081384894
SKU: 00-34763

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he later received the Distinguished Alumni award. His eight-year tenure as rights and licenses administrator at a major educational publisher gave him deep insight into what choirs need, and he served on the Executive Board of the Music Publishers Association of America during that time.

With more than 800 choral works in print across all levels, Althouse has built a reputation for music that resonates with singers and audiences alike throughout the English-speaking world. An ASCAP writer member and regular Special Award recipient, he has also co-created children's musicals, compiled respected vocal collections, co-authored The Complete Choral Warm-up Book and Accent on Composers, and written classroom resources including Ready to Read Music and One-Page Composer Bios. His work I Hear America Singing, created with his wife Sally K. Albrecht, was performed by the San Francisco Girls and Boys Choirs at President Obama's inauguration in 2009. Althouse has contributed to the Folk Art Society of America as a National Advisory Board member and continues to reside in Wake Forest, North Carolina.

Why we love this

The madrigal-like construction gives your singers genuine polyphonic texture without overwhelming a three-part voicing, making SAB choirs sound far more sophisticated than the difficulty level suggests. Althouse's gift for writing memorable melodies paired with accessible harmonies means your singers will enjoy performing it as much as your audience will enjoy hearing it. Whether you program it as a processional or as part of a madrigal feast, the contemporary holiday setting feels fresh rather than nostalgic.

What to expect

Bright and convivial, with the intimate quality of singers gathered together rather than a formal concert presentation. The piece captures the ease of friendship and celebration, with text that feels spoken as much as sung. Contemporary harmony keeps it from feeling like a period recreation while the madrigal form gives it elegant, timeless structure.

Who it's for

SAB choirs looking for substantive holiday repertoire that avoids both saccharine arrangements and overly complex writing. Directors who want to program something contemporary and engaging during the season without sacrificing musical integrity. Choirs comfortable with basic part independence who are ready to explore light polyphonic texture.

How to get the most out of it

  • Lean into the madrigal character by encouraging clarity and independence in each part; the three voices are often in genuine counterpoint rather than stacked harmony, so each singer needs to hear and own their own line.
  • Balance the piece so that no single voice dominates; in true madrigal style, the melody passes between parts, and your singers should follow that musical conversation rather than default to supporting an imagined soprano line.
  • Keep the text warm and conversational rather than formal; this is a celebration of friendship and cheer, not a reverent hymn, so encourage natural phrasing that mirrors spoken language.
  • Take advantage of the available recorded accompaniment to rehearse against a full arrangement; this helps your singers lock into harmonic function and understand how their parts sit within the fuller texture.

How to use it

Open a holiday concert with this as a processional to set a festive, inclusive tone before moving to other seasonal works. Pair it with instrumental madrigals or other secular choral pieces to build a madrigal feast context that lets your singers explore the genre more fully. Use it mid-program as a moment of warmth and community between longer, more formal selections.

Skills your students will build

  • Reading and sustaining independent melodic lines in three-part writing
  • Balancing voices when the melody migrates between parts rather than staying in one voice
  • Singing contemporary harmonic language with confidence and tuning accuracy
  • Performing with conversational text delivery and natural phrasing in English
  • Understanding madrigal form and its characteristic use of imitation and counterpoint

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