May the Season Never End Cover Image

May the Season Never End: SATB Choral Octavo

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May the Season Never End Cover Image

May the Season Never End: SATB Choral Octavo

Words by Tom Durley and Jay Althouse, music by Jay Althouse

Item: 00-34762

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Description
"December nights bring great delights of friendship and good cheer." Celebrate the joys of the holiday season with this delightful contemporary madrigal-like choral. Perfect as a festive processional or during a madrigal feast.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, May the Season Never End: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081384887
SKU: 00-34762

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later honored as a Distinguished Alumni. His deep knowledge of music publishing stems from eight years as a rights and licenses administrator for a major educational publisher, a role that included service on the Executive Board of the Music Publishers Association of America. As a composer, he has created more than 800 choral works performed across the English-speaking world and maintains membership in ASCAP, where he is a regular recipient of their Special Award.

Beyond composition, Althouse has made significant contributions to choral education through collaborative projects with his wife, Sally K. Albrecht. Together they have written children's musicals, co-authored widely used resources like The Complete Choral Warm-up Book and Accent on Composers, and created I Hear America Singing, performed by the San Francisco Girls and Boys Choirs at President Obama's inauguration. He has also compiled and arranged vocal solo collections and authored reproducible classroom materials. Based in Wake Forest, North Carolina, Althouse has served on the board of the North Carolina Master Chorale and currently advises the Folk Art Society of America.

Why we love this

Althouse's gift for conversational text paired with genuine harmonic warmth makes this piece feel both contemporary and genuinely festive, without resorting to artificial jolliness. The madrigal-inspired texture gives your singers genuine contrapuntal work while keeping the piece accessible for groups that don't specialize in Renaissance literature. It works equally well as a concert piece or in the casual, social context of a madrigal dinner, making it one of those rare seasonal titles that singers actually enjoy singing long after the holidays.

What to expect

The piece captures the intimacy of holiday gatherings: there's good humor in the text, a sense of togetherness in the harmonies, and genuine cheerfulness without sentimentality. The madrigal-like quality brings a touch of sophistication and playfulness, as if the singers are sharing an inside joke about the joys of friendship and good cheer.

Who it's for

This octavo works beautifully for mixed choirs at the intermediate level who want something seasonally relevant with genuine musical substance. Directors seeking material beyond the standard Christmas fare will find a piece that respects singers' musicality while celebrating the warmth of the season.

How to get the most out of it

  • Balance the homophonic and imitative sections by asking singers to listen across voice parts during the madrigal-like passages; the joy comes through when the four lines blend rather than stand apart.
  • Shape the opening phrase with a gentle lift on 'delights' to capture the lighthearted tone of the text and set the festive mood immediately.
  • If using the optional instrumental parts, let them support rather than dominate; this piece benefits from the singers' warmth remaining the primary focus.
  • Encourage careful diction on repeated text to maintain clarity as the texture thickens in the middle sections.

How to use it

Program this as a festive processional to open a winter concert, or pair it with other secular holiday pieces for a madrigal feast or casual concert setting. Its twelve pages make it a substantial closer to a concert program, leaving audiences with a warm send-off that captures the spirit of the season without requiring elaborate staging or special arrangements.

Skills your students will build

  • Balancing homophonic and imitative textures within a single piece
  • Phrasing conversational text naturally while maintaining musical shape
  • Blending four voice parts in madrigal-style counterpoint
  • Clarity and diction in repeated text passages

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