March (flex band): Flexible Instrumentation, Ensemble Works, Full Score

$12.00 USD

March (flex band): Flexible Instrumentation, Ensemble Works, Full Score

Name: March (flex band): Flexible Instrumentation, Ensemble Works, Full Score
Brand: Alfred Music
SKU: 36-50135003
Price: 12.00 USD
Availability: InStock

By C.P.E. Bach, arr. Alex Hilliard

Grade: 2

Item: 36-50135003

$12.00

Shipped

One moment…

Created especially for our series of works with flexible instrumentation, this march is the perfect solution for bands of a reduced size. Playable with as few as five wind instruments, the work is a high quality addition to the band repertoire.

March (flex band): Flexible Instrumentation, Ensemble Works, Full Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Request This Title

Tell us you want it.

Start Your Free Trial

Explore everything that's ready to play right now.

No sample pages found.

No sample audio found.

No sample videos found.

Series: LudwigMasters Developing Band

Publisher: Keiser Productions, Inc.

ISBN10: 1-62-156629-3

ISBN13: 978-1-62-156629-8

UPC: 659359589478

SKU: 36-50135003

Instrumentation: Flexible Instrumentation

More about this title

About the Composer: C.P.E. Bach

Carl Philipp Emanuel Bach (1714-1788) was the most prolific keyboard composer of the 18th century and a bridge between Baroque and Classical styles. Trained by his father Johann Sebastian Bach, C.P.E. Bach developed a compositional language marked by dramatic contrasts, unexpected harmonic turns, and emotional directness that made him influential across Europe. His work shaped keyboard technique and aesthetic ideals that composers like Haydn and Mozart would later build upon.

C.P.E. Bach composed across all genres of his time, including orchestral works, chamber music, keyboard pieces, and vocal music. His marches, often written for military or ceremonial occasions, combine rhythmic clarity with elegant melodic lines that remain engaging even in simplified arrangements. His music remains central to understanding 18th-century musical development.

Show moreShow less

Why we love this

An authentic 18th-century march with genuine compositional substance is rare in the developing band repertoire. Hilliard's arrangement preserves the character and melodic integrity of C.P.E. Bach's original while making it genuinely playable for smaller ensembles. The flexible instrumentation means you're not waiting for a full band to perform quality literature.

What to expect

Dignified and straightforward, with the ceremonial character you expect from an 18th-century march. The writing is clean and tuneful rather than ornate, allowing each instrument line to sing without technical barriers. There's an understated elegance here that rewards careful listening.

Who it's for

Conductors leading smaller or developing concert bands who need substantial repertoire without doubling or padding parts. This works equally well for a band rebuilding after attrition or a school with limited instrumentation. Any ensemble wanting to program a historically grounded piece that sounds professional with minimal forces.

How to get the most out of it

Balance the melody so it projects without drowning out the harmonic support. Even with minimal instrumentation, the march's forward motion depends on clarity between lines.
Keep the pulse steady and precise. Marches rely on rhythmic confidence; players should feel the quarter-note pulse throughout.
Shape phrases with subtle dynamic shaping rather than sudden changes. C.P.E. Bach's style favors elegant articulation over dramatic contrasts.
Adjust instrumentation based on your strengths. If you're strong in clarinets and low brass, lean into those combinations; the arrangement accommodates flexible choices.

How to use it

Open a concert with this to establish a classical foundation for a mixed program, or pair it with other arrangements from the Developing Band series for thematic coherence. It also works well in educational contexts where you want to introduce students to historical composition without overwhelming them.