Lullaby of Broadway (and "Forty-Second Street"): 2-Part Choral Octavo

Jay Althouse's arrangement pulls off something deceptively simple: he weaves two beloved standards into a single, cohesive 2-part setting that feels natural rather than stitched together. The opening flourish of "Forty-Second Street" gives the piece immediate energy and context, while the transition into the swinging accessibility of "Lullaby of Broadway" arrives with purpose. For middle school and early high school choirs, this is a smart choice that delivers style and singability without overcomplicating the vocal writing.

A trip back to the glamorous energy of 1930s and 1940s New York City. The opening captures the bustling sophistication of Times Square before sliding into the sultry, intimate atmosphere of a late-night Broadway lounge. The arrangement preserves the wit and charm of the original melodies while giving singers room to interpret the character and style.

This arrangement works well for middle school through early adult choirs seeking accessible yet stylish Broadway repertoire. The straightforward 2-part voicing welcomes singers with developing musicianship while the familiar songs and swing feel engage performers and audiences alike.

• Lock in the rhythmic bounce of the "Forty-Second Street" opening section; keep the pulse crisp and the articulation light so the piece swings rather than plods.
• The two melodies demand clear diction, especially in "Lullaby of Broadway." Emphasize the story and character in the text to engage the audience in the song's urban nightlife imagery.
• If you're using the recorded accompaniment, allow rehearsal time for your singers to balance their voices against the rhythm section and brass colors in the background tracks.
• Coordinate with staging if you're planning movement work (the Danza! DVD features choreography options); blocking choices should reflect the sophisticated, theatrical nature of these standards.

Pair this with other standards or Broadway repertoire to build a concert that celebrates American musical theater history. The piece works equally well as a concert opener (the "Forty-Second Street" intro commands attention) or as part of a larger medley-style program. Its theatrical DNA makes it an excellent choice for spring pops concerts or end-of-year shows.

• Swing phrasing and rhythmic precision in jazz-inflected vocal style
• Lyrical interpretation and character storytelling in familiar musical theater material
• Secure 2-part voicing with clear blend and balance
• Rhythmic coordination across section changes and modulations within a single piece