Love Is a Many Splendored Thing: SATB Choral Octavo
Music by Sammy Fain, lyric by Paul Francis Webster / arr. Mark Hayes
Item: 00-PO-0005669
Minimum order quantity: 20 copies
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More about this title
About the Composer: Sammy Fain
Sammy Fain (1902-1989) was a prolific composer who shaped the sound of American popular song and film music across five decades. His gift for memorable, singable melodies made him a natural fit for Hollywood, where he collaborated with lyricists to create standards that endured long after their films left theaters. Fain earned two Academy Awards for Best Original Song, cementing his place among the great melodists of the golden age of cinema.
Why we love this
Mark Hayes strips away nothing essential here. His arrangement respects the song's lyrical generosity while giving singers real harmonic substance to inhabit, which means your choir will feel the emotional weight of the piece rather than just float through it. The pop idiom sits naturally for singers accustomed to contemporary repertoire, yet the craftsmanship rewards careful attention to phrasing and blend.
What to expect
Warmth lives in every phrase of this arrangement. Hayes uses rich, contemporary harmonies that feel both sophisticated and accessible, creating the sonic equivalent of late-night slow dancing. The song unfolds without haste or urgency, inviting singers to discover the tenderness in even the simplest moments.
Who it's for
Intermediate to advanced SATB choirs seeking crossover repertoire that spans the gap between classical and pop idioms. Ensembles with a solid grasp of intonation and blend will find the harmonic language rewarding, while singers familiar with the Four Aces' recording will connect immediately to the emotional core.
How to get the most out of it
- Shape the melody with legit vocal line technique rather than pop inflection; this ballad asks for sustained, connected tone across phrases
- Balance the inner voices with the sopranos so the harmonic fabric remains visible without drowning out the top line
- Use the recorded accompaniment as a rehearsal tool to lock the harmonic language before singers worry about interpretation
- Let tempo breathe slightly at emotional peaks (the title phrase especially) rather than holding it rigid throughout
How to use it
This works beautifully as a ballad anchor in a concert pairing show tunes with standards, or as a moment of genuine intimacy in a pops program. Consider programming it alongside other movie musical gems from the same era to build thematic coherence, or use it as the emotional centerpiece of an all-request concert.
Skills your students will build
- Sustaining legato line through extended phrases without breath
- Balancing melody and harmony in pop-influenced idioms
- Shaping text for emotional content rather than rhythmic clarity
- Blending contemporary jazz harmonies within SATB texture