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Love Is a Many Splendored Thing: SoundTrax Digital Audio Download

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Love Is a Many Splendored Thing Cover Image

Love Is a Many Splendored Thing: SoundTrax Digital Audio Download

Music by Sammy Fain, lyric by Paul Francis Webster / arr. Mark Hayes

Item: 00-A-00015730

$29.99
Digital Download
Description

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
SKU: 00-A-00015730

More about this title

About the Composer: Sammy Fain

Sammy Fain (1902-1989) was an American composer whose gift for melody made him a central figure in Hollywood's golden age. His film scores and songs earned him four Academy Award nominations, and his work defined the sound of mid-century musical cinema. Fain's compositions remain standards in choral and pop music repertoires because they combine memorable hooks with genuine harmonic sophistication.

For music educators, Fain represents a bridge between classical training and popular songwriting. His melodies sit naturally in the voice, his harmonies reward careful voicing, and his songs have endured because they're built on solid musical foundations, not trends.

Why we love this

Mark Hayes's arrangement respects Fain's iconic melody while giving singers real work to do with harmony and texture. The recorded accompaniment is polished and flexible, letting your choir sit into the harmony without dragging. This is the rare pop standard that sounds equally strong in an acoustic setting or with the full digital backing.

What to expect

Romantic without being precious, with the kind of elegant simplicity that comes from a master melodist. The song unfolds like a conversation, never rushing, allowing space for the lyrics to land. There's a cinematic quality that makes singers feel like they're telling a story rather than just delivering a tune.

Who it's for

Intermediate and advanced choirs looking for a mid-20th-century standard that doesn't demand operatic technique or contemporary arranging tricks. Solo soprano singers can also perform this with the accompaniment file, making it useful for recitals, auditions, or chamber settings.

How to get the most out of it

  • Balance the melody clearly through the verse; Hayes layers supporting lines that can easily cover the tune if sopranos aren't confident about sitting on top.
  • Use the recorded accompaniment as a rehearsal tool first. Singers often lock into the backing track's pocket differently than they do with a live piano, so plan extra unaccompanied rehearsal before performance.
  • Shape the phrase endings with slight ritards and releases rather than pushing toward them; this song lives in restraint and warmth, not drama.
  • Let the lower voices own their moments in the arrangement; Hayes gives them real material, and hearing those lines clearly changes how the harmony reads.

How to use it

This works beautifully on a concert that mixes classical and popular repertoire, or as a palate cleanser between heavier pieces. It's also ideal for a spring or graduation concert where you want something broadly appealing and genuinely singable. Many directors use it as a teaching piece for phrase shape and legit vocal technique within a pop context.

Skills your students will build

  • Sustaining legit tone in a popular song context
  • Reading and balancing simple four-part harmony
  • Phrasing with accompaniment independence
  • Blending across voice parts in a melody-driven arrangement

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