Lost Woods Fantasy Cover Image

Lost Woods Fantasy: Concert Band Conductor Score & Parts

$60.00 USD
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Lost Woods Fantasy Cover Image

Lost Woods Fantasy: Concert Band Conductor Score & Parts

By JaRod Hall

Grade: 1.5

Item: 98-B1790

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Description
This unique work follows a young group of friends in search of adventure in a nearby forest late at night. Once inside, the trees around them begin to stretch and seal off the entrance. Trapped inside, they must find a way out... Incredibly colorful and engaging music that is certain to be a highlight of your program.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Lost Woods Fantasy: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: FJH Developing Band
Publisher: The FJH Music Company, Inc.
UPC: 241444405536
SKU: 98-B1790

More about this title

About the Composer: JaRod Hall

JaRod Hall

JaRod Hall grew up in Texas and has built a career as both a composer and an educator grounded in practical band room experience. He earned degrees in music education and composition from the University of North Texas and Texas State University, studying conducting with Dr. Nicholas Williams and Dr. Caroline Beatty, and composition with Dr. Michael Ippolito and Dr. Jack Wilds. As a tubist and trombonist, he has performed with ensembles ranging from the North Texas Wind Symphony to the 3 O'Clock Lab Band, and was selected as a four-time Texas All-State Band member, including principal jazz bass trombone in 2010.

Hall spent eight years as a band director, building programs that consistently earned sweepstakes awards at the Texas University Interscholastic League evaluations. His 2018 non-varsity band at Griffin Middle School became the first middle school ensemble in Frisco ISD to win the Citation of Excellence, recognizing the top two non-varsity bands statewide. His compositions have been recognized on the Texas Prescribed Music List, the J.W. Pepper Editor's Choice list, and Bandworld's Top 100, with recent honors including a 2020 Dallas Winds fanfare commission and the 2021 Barbara Buehlman Prize for middle school band.

Why we love this

Hall writes with genuine understanding of what captures young musicians' attention and keeps an audience leaning forward in their seats. The narrative framework here transforms a simple concert piece into storytelling that engages both performers and listeners, making it memorable enough to serve as a genuine program highlight rather than filler.

What to expect

Late-night adventure music that starts with curiosity and discovery, then shifts into something unsettling as familiar surroundings become strange. The colorful orchestration creates vivid imagery without requiring elaborate staging; the music itself paints the forest closing in around the trapped explorers.

Who it's for

Beginning concert bands ready to program something beyond standard repertoire, especially groups performing for festivals where visual or narrative context matters. The Grade 1.5 level keeps technical demands manageable while the storytelling makes it engaging for young players still developing focus during longer rehearsals.

How to get the most out of it

  • Shape the instrumental colors to match the forest imagery; let woodwinds suggest rustling branches and strings of tension, while brass punctuates the moments when the trees 'stretch and seal off' the entrance.
  • Establish clear ensemble communication during transitions, particularly where the musical landscape shifts. Young musicians need precise cutoffs and entries to navigate the shifts in texture without losing dramatic momentum.
  • Balance the narrative pacing with musical phrasing; resist pushing too hard too early. The tension builds more effectively if the opening feels grounded and slightly mysterious before the energy escalates.

How to use it

Perfect for a concert program's centerpiece position, where it can anchor the show with a piece that gives younger ensemble members a chance to deliver something genuinely moving. Pair it with lighter openers or finales to let this narrative-driven work breathe without overshadowing the rest of your programming, or use it as a standalone feature in a chamber or young band concert.

Skills your students will build

  • Sustained musicality across dynamic shifts and textural changes
  • Ensemble balance when multiple instrumental families carry independent melodic lines
  • Dramatic timing and phrasing at Grade 1.5 difficulty without sacrificing musical intent
  • Listening and response to visual cues from the conductor's interpretation of narrative moments

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