Longthorpe Tower Cover Image

Longthorpe Tower: Concert Band Conductor Score

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Longthorpe Tower Cover Image

Longthorpe Tower: Concert Band Conductor Score

By Todd Stalter

Grade: 1.5

Item: 00-47265S

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Description
Longthorpe Tower was a medieval castle of the Thorpe family and contains some of the most well-preserved and complete medieval wall paintings in Northern Europe. This piece represents the music of this period in English history.

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Additional Details
Series: Challenger Band Series
Publisher: Alfred Music
Page Count: 8
UPC: 038081545813
SKU: 00-47265S

More about this title

About the Composer: Todd Stalter

Todd Stalter

Todd Stalter spent 34 years building one of Illinois's most accomplished band programs at Eureka High School, where his ensembles earned 16 state marching championships, consistent superior ratings at IHSA contests, and invitations to perform at Orchestra Hall in Chicago and Walt Disney World. Beyond the high school podium, he has conducted All-State bands in Georgia and Delaware, adjudicated at the state level across multiple states, and presented clinics on composition and music education at regional and state conferences.

As a composer, Stalter's works circulate through festival and contest programs nationwide and appear in the GIA publication "Teaching Music Through Performance in Band." He studied trumpet performance and conducting at Illinois State University under distinguished faculty including Richard Lehman of the President's Own United States Marine Band. His dual expertise as both an accomplished director and an active composer informs every piece he writes for young ensembles.

Why we love this

Stalter crafts programmatic writing that honors historical detail without sacrificing musicality or accessibility. At Grade 1.5, this piece proves that younger bands can engage serious musical storytelling, and the medieval context gives students a genuine reason to shape their phrases and listen to each other rather than simply play through the page.

What to expect

Medieval walls and timeless stone. The piece evokes the resonance of early English music without pretending to be a scholarly reconstruction, instead capturing the sense of age and grandeur that survives in a fortress's surviving paintings. Younger players experience the satisfaction of making something spacious and dignified sound.

Who it's for

Grade 1.5 bands building confidence with programmatic repertoire. Teachers looking for accessible concert and festival pieces that connect students to history and architecture beyond the page.

How to get the most out of it

  • Let the medieval character dictate your tempo choices. This period writing rewards a slightly broader pace than modern concert band idioms, which gives younger players time to lock their articulation together.
  • Balance the harmonic colors across sections. The writing likely features open fifths and organum-influenced voicings; resist the urge to layer thick textures that muddy the historical sonority.
  • Invest rehearsal time in phrase shape over technical precision. Students will remember how the melody arcs and breathes long after they forget the exact fingerings.

How to use it

Open a concert with this to set a contemplative tone before moving to more contemporary works. It works equally well as a festival selection where the historical narrative gives adjudicators something substantive to hear beyond technical execution.

Skills your students will build

  • Shaping phrases in open harmonic textures (fifths and fourths)
  • Balancing melodic lines across different sections
  • Sustaining longer notes with consistent tone quality
  • Connecting musical content to historical context
  • Reading conductor cues in slower, stately tempos

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