Long Ago and Far Away Sheet Music Preview

Long Ago and Far Away: SAB Choral Octavo

Lyrics by Ira Gershwin, music by Jerome Kern / arr. Mark Hayes

Item: 00-PO-0001070

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Minimum order quantity: 20 copies

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Description
This popular song from the 1944 film Cover Girl has been recorded by tons of popular artists from Gene Kelly to Rod Stewart. Just listen as Mark Hayes puts his special signature touch on his richly-orchestrated arrangement.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0001070

More about this title

About the Composer: Jerome Kern

Jerome Kern (1885-1945) shaped American musical theater through a catalog of standards that remain central to jazz, pop, and choral repertoire. His melodies balanced sophistication with immediate accessibility, earning him recognition as one of the most influential songwriters of the Golden Age of Broadway and film.

Why we love this

Mark Hayes's arrangement captures the cinematic sweep of Kern's melody while keeping it accessible for three-part choirs. The richly orchestrated accompaniment (available separately) lifts this classic beyond a simple octavo into something your singers will feel proud to perform.

What to expect

Nostalgic and romantic, with the sophisticated ease of mid-century Hollywood. The melody unfolds with warmth and yearning, supported by Hayes's lush harmonic backdrop that evokes both the song's cinematic origins and its enduring place in the American songbook.

Who it's for

Three-part mixed choirs, community choruses, and show choirs looking for a standard with genuine historical weight. The moderate difficulty and Hayes's clear voice-leading make this achievable for less advanced singers while remaining rewarding for more experienced ensembles.

How to get the most out of it

  • Balance the upper parts against the lower voices; the melody line should soar without swallowing the harmonic foundation Hayes provides.
  • Shape the phrases as if you're singing a movie scene. This arrangement rewards legit, connected singing over clipped or detached interpretations.
  • The recorded accompaniment tracks the orchestration closely. Use it in rehearsal to help your singers hear how their parts sit within the fuller texture.
  • Pay attention to dynamics marked in the arrangement. Hayes uses swells and recessions to add dimension; resist the urge to sing at one volume throughout.

How to use it

Pair this with other standards from the Kern era to build a vintage song or film-inspired concert. It works equally well as a standalone feature or as part of a broader program celebrating American musical theater and popular song.

Skills your students will build

  • Singing legit, connected vocal lines with rubato and expression
  • Balancing three-part harmony within a richly orchestrated accompaniment
  • Interpreting phrase marks and dynamic shaping in arranged music
  • Sustaining musical storytelling through 12 pages of cohesive material

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