Long Ago and Far Away Cover Image

Long Ago and Far Away: SATB Choral Octavo

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Long Ago and Far Away Cover Image

Long Ago and Far Away: SATB Choral Octavo

Lyrics by Ira Gershwin, music by Jerome Kern / arr. Mark Hayes

Item: 00-35747

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Description
This popular song from the 1944 film Cover Girl has been recorded by tons of popular artists from Gene Kelly to Rod Stewart. Just listen as Mark Hayes puts his special signature touch on his richly-orchestrated arrangement.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Long Ago and Far Away: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081399430
SKU: 00-35747

More about this title

About the Composer: Jerome Kern

Jerome Kern (1885-1945) shaped American musical theater during its golden age, composing over 700 songs for stage and film. His melodic gift and harmonic sophistication elevated popular song composition to an art form, influencing generations of songwriters who followed. Kern's work for Hollywood in the 1930s and 1940s produced some of the era's most enduring standards, many of which remain central to the choral and vocal repertoire today.

Why we love this

Mark Hayes brings his hallmark craftsmanship to a melody that deserves the treatment. This arrangement balances accessibility with genuine musical substance, giving your choir memorable voicings and textural variety without demanding a specialized ensemble. The recorded accompaniment support and available instrumental parts make this a practical choice for concerts where you want classical sophistication alongside popular recognition.

What to expect

Nostalgic and elegant, this arrangement captures the wistful romanticism of the original while adding harmonic richness that feels contemporary. The piece unfolds with lyrical warmth, balancing moments of fuller, lush sound with intimate sectional textures.

Who it's for

This arrangement serves choirs of mixed ability looking for standard repertoire with professional orchestration. It works equally well in high school, community, and college settings where singers want to perform a recognizable classic without needing theatrical staging.

How to get the most out of it

  • Lean into the legato phrasing throughout. This arrangement works best when voices sing through phrases with beautiful, connected tone rather than punching individual words.
  • Balance the inner voices carefully during the orchestrated passages. Hayes layers the harmony densely, and clarity comes from letting each voice line breathe at its dynamic level.
  • Use the recorded accompaniment in rehearsal to lock the ensemble into the harmonic movement, but pull it in performance to let your choir shine as the primary musical voice.

How to use it

Program this as a centerpiece for a pops or standards-themed concert, where its Hollywood heritage and audience familiarity anchor a set. The 12-page length and moderate difficulty make it ideal for spring concerts or variety programs mixing classical and popular repertoire.

Skills your students will build

  • Sustained legato singing across longer phrases
  • Harmonic independence in four-part writing with chromatic movement
  • Balance and blend in densely voiced textures
  • Rhythmic precision with swung or flexible meters typical of American song standards

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