Long Ago and Far Away Sheet Music Preview

Long Ago and Far Away: Choral SoundPax

Lyrics by Ira Gershwin, music by Jerome Kern / arr. Mark Hayes

Item: 00-PK-0004679

Digital Download
makemusic Cloud badge
$55.00

One moment…

Description
This popular song from the 1944 film Cover Girl has been recorded by tons of popular artists from Gene Kelly to Rod Stewart. Just listen as Mark Hayes puts his special signature touch on his richly-orchestrated arrangement. Parts include Score, Flute, Oboe, Clarinet, Bassoon, Horns in F 1 & 2, Trumpet 1, Trumpets 2 & 3, Trombones 1 & 2, Bass Trombone, Tuba, Pitched Percussion (Bells), Non-Pitched Percussion (Sus. Cymbal, Mark Tree), Harp, Piano, Electric Guitar, Bass/Drums, Violin 1, Violin 2, Viola, Cello, Double Bass.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Long Ago and Far Away: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 86
SKU: 00-PK-0004679
Instrumentation: SoundPax

More about this title

About the Composer: Jerome Kern

Jerome Kern (1885-1945) shaped American musical theater in ways that still define the genre today. His melodies are instantly singable yet sophisticated, his harmonies elegant without being precious, and his gift for setting words to music remains unmatched among Golden Age composers. Kern wrote the scores for Show Boat, Roberta, and dozens of other productions that established what American popular song could be.

Why we love this

Mark Hayes understands how to honor a classic melody while giving an ensemble something genuinely exciting to sing into. This orchestration is lush and detailed without overshadowing the choir, and the harmonic language he layers underneath Kern's tune opens up new dimensions in a song most singers already know. It's the kind of arrangement that makes a familiar standard feel fresh without losing what made it matter in the first place.

What to expect

Nostalgic but never sentimental. The song carries the warmth of a Golden Age ballad while Hayes's orchestration gives it sophistication and modern sheen. There's an ache in the melody that the rich harmonic foundation only deepens.

Who it's for

This works for choirs comfortable with moderate part-writing complexity and a mixed ensemble that enjoys singing over a full orchestra. Directors programming a concert that blends classic American song with contemporary arranging will find this a natural fit.

How to get the most out of it

  • Balance the voices so the choir's melody sits above the instrumental texture without fighting it. Hayes has given the orchestra plenty to do, which means intentional shaping of your ensemble blend matters more than volume.
  • Let the recorded accompaniment guide your tempo, but don't lock rigidly to it. There's room for the choir to breathe, especially in moments where Kern's harmonic language calls for slight rubato.
  • Shape the lyrical phrases with attention to where the orchestration swells and where it pulls back. The arrangement itself shows you where to lean in emotionally.

How to use it

Slot this into a set exploring American standards, or use it as the emotional anchor in a mixed program where you want the choir to showcase both lyrical beauty and their ability to blend with a full orchestra. It's substantial enough to carry a segment of your concert and appeals to audiences who love film music and Tin Pan Alley classics.

Skills your students will build

  • Balancing choir against a full orchestral accompaniment
  • Sustaining lyrical phrasing over longer phrases
  • Blending four-part harmony in rich harmonic contexts
  • Responding to detailed orchestration cues while maintaining ensemble cohesion

You May Also Like