Loco Motion: Concert Band Conductor Score & Parts
By Les Taylor
Grade: 1
Item: 98-DB1095
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Loco Motion: Score | $5.00 | |
| Loco Motion: Flute | $7.00 | |
| Loco Motion: Oboe | $7.00 | |
| Loco Motion: Bassoon | $7.00 | |
| Loco Motion: B-flat Clarinet 1 | $7.00 | |
| Loco Motion: B-flat Clarinet 2 | $7.00 | |
| Loco Motion: B-flat Bass Clarinet | $7.00 | |
| Loco Motion: E-flat Alto Saxophone | $7.00 | |
| Loco Motion: B-flat Tenor Saxophone | $7.00 | |
| Loco Motion: E-flat Baritone Saxophone | $7.00 | |
| Loco Motion: B-flat Trumpet 1 | $7.00 | |
| Loco Motion: B-flat Trumpet 2 | $7.00 | |
| Loco Motion: F Horn | $7.00 | |
| Loco Motion: Trombone | $7.00 | |
| Loco Motion: Baritone/Euphonium | $7.00 | |
| Loco Motion: Baritone T.C. | $7.00 | |
| Loco Motion: Tuba | $7.00 | |
| Loco Motion: Bells | $7.00 | |
| Loco Motion: Percussion 1 | $7.00 | |
| Loco Motion: Percussion 2 | $7.00 |
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Description
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More about this title
Why we love this
Meter changes intimidate many first-year ensembles, but this piece builds that skill without overwhelming students. The constant quarter-note pulse makes the transition between meters feel natural rather than jarring, and the novelty arrangement keeps energy high while you're teaching something genuinely useful.
What to expect
Playful and purposeful. The novelty setting keeps things light and entertaining while the underlying meter work feels like a genuine compositional challenge. Students perform something fun that also stretches their musicianship.
Who it's for
First-year band students ready to move past simple 4/4. This works for groups that have solid foundational reading but need structured exposure to metric variety without jumping into complex syncopation.
How to get the most out of it
- Tap the quarter note pulse with your foot during rehearsals so students internalize the constant beat across meter shifts. This removes the anxiety of counting differently.
- Keep the tempo steady but conversational; at 1:45, there's room to breathe and let the rhythmic transitions land clearly without rushing through them.
- Balance the harmonic motion in the lower voices so the rhythmic changes feel supported. Young players often rush meters when they can't hear where the harmony is grounding them.
How to use it
Slot this into a fall or early winter concert once your group has locked down basic ensemble skills. It pairs well after a straightforward Grade 1 march and before moving into more rhythmically dense literature. The short length and strong ending make it an effective opener or closer.
Skills your students will build
- Reading and playing meter changes with a constant quarter-note pulse
- Maintaining ensemble rhythm across metric shifts
- First-year range management for all band instruments
- Recognizing and executing simple rhythmic patterns under new metric frameworks