'Liza Jane Cover Image

'Liza Jane: Choral SoundPax

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'Liza Jane Cover Image

'Liza Jane: Choral SoundPax

Arr. Jay Althouse

Item: 00-12271

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Description
An up-beat, swing arrangement of this favorite. The light jazz treatment is voiced to insure a successful experience. This one will make your group sparkle. Don't miss it! InstruPax includes: director's score, trumpet, 2 alto saxes, trombone, rhythm.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, 'Liza Jane: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 20
UPC: 038081131290
SKU: 00-12271
Instrumentation: trumpet, 2 alto saxes, trombone rhythm, score

More about this title

About the Arranger: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later honored as a Distinguished Alumnus. He spent eight years in the music publishing industry managing rights and licensing, serving on the Executive Board of the Music Publishers Association of America during that tenure. As a prolific composer, Althouse has over 800 choral works in print across all ability levels and is widely performed in English-speaking countries.

Althouse is a writer member of ASCAP and a regular recipient of the ASCAP Special Award for his compositions. He has co-written children's musicals with his wife Sally K. Albrecht, edited respected vocal solo collections including Folk Songs for Solo Singers, and authored instructional resources such as The Complete Choral Warm-up Book and Accent on Composers. His collaborative composition I Hear America Singing was performed by the San Francisco Girls and Boys Choirs at President Barack Obama's 2009 Inauguration. He serves on the National Advisory Board of the Folk Art Society of America and currently resides in Wake Forest, North Carolina.

Why we love this

Althouse's swing treatment captures the bounce and energy of this folk favorite while keeping the voicing straightforward enough for mixed choirs to succeed right away. The light jazz idiom feels contemporary without demanding jazz-singing technique, and the balanced instrumentation lets the choir remain the centerpiece. Your singers will enjoy the style shift, and audiences love the result.

What to expect

Bright and buoyant, with a relaxed swing lilt that makes the familiar melody feel fresh. The arrangement moves with an easy confidence, letting harmonies bloom without overcomplicated voicing, and the result feels celebratory and fun.

Who it's for

Mixed choirs at the intermediate level and beyond who want to add accessible jazz-inflected repertoire to their library. Directors seeking a piece that engages singers with a contemporary sound while keeping rehearsal demands reasonable will find this arrangement efficient and effective.

How to get the most out of it

  • Balance the instrumental ensemble so it supports rather than overwhelms the voices. The arrangement is designed to make singers shine, not to let the rhythm section take over.
  • Lock the swing feel between the rhythm section and ensemble from your first rehearsal. The groove makes or breaks whether this sparkles or lags.
  • Give the trumpet and saxes room to breathe during their featured moments, then pull back dynamically when the choir enters to maintain clarity of the text.
  • Shape the melodic lines with attention to the swing phrasing. Straight eighth notes will feel stiff; let the rhythm section's interpretation guide the vocalists into the pocket.

How to use it

Program this as a warm-weather concert closer or as the highlight of a pops or cabaret show where it can get the audience on board. The folk roots and swing treatment make it work equally well in a concert of American repertoire or alongside lighter modern works.

Skills your students will build

  • Swing rhythm and phrasing in a choral context
  • Balancing blend when singing against jazz ensemble accompaniment
  • Understanding how arrangement choices change the character of familiar melodies
  • Sight-reading music with jazz vocabulary and syncopation

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