Let There Be Peace on Earth Cover Image

Let There Be Peace on Earth: SATB Choral Octavo

$2.05 USD
Sale price  $2.05 USD Regular price 
Skip to product information
Let There Be Peace on Earth Cover Image

Let There Be Peace on Earth: SATB Choral Octavo

Music by Jill Jackson and Sy Miller / arr. Jay Althouse

Item: 00-11379

$2.05
Shipped

One moment…

Description
New for TBB voices! Jay's crystal clear arrangement begins tenderly, pensively, (with optional solos) then grows and grows to a powerful finish. The universal call for world peace is as relevant today as when this simple song spread around the world almost four decades ago. An impressive concert finale or festival piece, it's perfect any time of year, including Christmas. The easy, optional instrumental SoundPax or SoundTrax will provide an added dimension to your performance.

Let There Be Peace on Earth: SATB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081024318
SKU: 00-11379

More about this title

About the Composer: Jill Jackson

Jill Jackson co-wrote "Let There Be Peace on Earth" with Sy Miller in 1955, creating one of the most enduring songs for world peace in American popular music. The song has been performed by countless artists across genres and remains a staple in choral and educational settings worldwide, speaking to its universal message and accessible melody.

Why we love this

Jay Althouse's arrangement respects the song's gentle origins while building to genuine emotional power, giving your singers a rewarding arc to shape across eight pages. The optional solo passages create natural leadership moments, and the piece works equally well as a tender concert opener or a stirring finale, making it genuinely flexible for your programming needs.

What to expect

The piece opens with quiet conviction, voices entering with the simplicity of a prayer or meditation. As the arrangement unfolds, it gathers strength and hope, building to a powerful affirmation without losing the intimacy that makes the message feel personal and sincere.

Who it's for

High school and college choirs looking for a piece with both accessibility and emotional depth. Directors seeking repertoire that resonates across diverse audiences and works for both concert and festival contexts.

How to get the most out of it

  • Begin with restraint in the opening phrases; the tenderness here sets up the impact of the final buildup. Resist the urge to push volume early.
  • Shape the optional solo sections as intimate moments that draw the full choir in gradually, rather than treating them as separate from the ensemble sound.
  • Build dynamics in layers through the second half. Mark specific measures where the choir adds texture or intensity so the growth feels intentional, not accidental.
  • If using the optional instrumental parts, balance them carefully in rehearsal; they should enhance rather than overshadow the choral writing.

How to use it

Close your concert with this piece when you want a final statement that leaves the audience with something meaningful to take home. It works beautifully on peace-focused programs, memorial concerts, or as a seasonal closer at graduation or year-end events.

Skills your students will build

  • Dynamic control across a wide range (ppp to ff)
  • Balancing optional solo lines with full ensemble texture
  • Phrasing through text-driven musical statements
  • Building cumulative intensity through layered arranging
  • Vocal blend and blend in slower harmonic writing

You May Also Like