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Let There Be Peace: SATB Choral Octavo

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Let There Be Peace Cover Image
Let There Be Peace: SATB Choral Octavo

Let There Be Peace: SATB Choral Octavo

Words and music by Andy Beck

Item: 00-28542
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Description
This powerful gospel original longs for world peace with a deliberate 3/4 groove that explodes into a revival-style tag. Two brief solos are not difficult to sing, but enhance the gospel style. Add the sign language choreography featured on the Hooray for Hollywood! choral movement DVD.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Let There Be Peace: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081310862
SKU: 00-28542

More about this title

About the Composer: Andy Beck

Andy Beck

Andy Beck leads the choral publications division at Alfred Music, where he has built a catalog of over 450 choral works, vocal resources, and musical theatre pieces for young singers. His influence extends across the profession through his work as a guest conductor, choreographer, and clinician at honor choirs and all-state festivals throughout the Southeast and beyond. Beck holds degrees in Music Education from Ithaca College and Northwest Missouri State University and has authored foundational sight-singing and vocal technique resources widely used in choral classrooms.

Beyond his publishing leadership, Beck remains an active performer and educator. He sings as a tenor with the North Carolina Master Chorale Chamber Choir, directs musical theatre productions, and has lent his voice to Alfred Music recordings since 1992. His work as a commissioned composer for honor choirs and his visibility as a clinician reflect a deep commitment to choral artistry and music literacy at every level.

Why we love this

This piece carries real conviction. The 3/4 groove feels fresh in a gospel context, and the shift into revival-style energy in the tag surprises and energizes singers and audiences alike. Beck's skill at writing solos that sound authentic without demanding operatic technique means your singers can own these moments immediately.

What to expect

A song that begins with quiet intention, settling into a gentle 3/4 sway, then builds toward celebration and urgency. The gospel styling anchors the piece in a tradition of music as a force for change, while the revival energy in the closing section lifts singers and audience into a moment of collective hopefulness.

Who it's for

SATB choirs looking for repertoire that speaks to contemporary values without sacrificing musical craftsmanship. This works equally well for concert choirs seeking one powerful piece or for groups building a thematic program around social responsibility and hope.

How to get the most out of it

  • Lock the 3/4 groove early in rehearsal. Have the rhythm section feel the pulse as a waltz-like three, then add gospel swing once that foundation is solid.
  • Shape the solo moments with dynamic contrast. These brief passages should feel intimate and conversational before the ensemble sweeps back in.
  • Find the energy shift. The transition into the revival-style tag needs clear direction from you; mark exactly where the song transforms so singers know it's coming and can respond with fresh intensity.
  • Explore the sign language choreography on the referenced DVD. Even if you don't teach the full routine, small gesture motifs can reinforce the peace message and give singers physical investment in the text.

How to use it

Anchor a spring or fall concert with a social justice or peace-themed set, pairing this with contrasting repertoire that explores similar values through different musical languages. It also works powerfully as a closing number when you want your audience to leave with forward-looking energy and a unifying message.

Skills your students will build

  • Singing in 3/4 meter with secure rhythmic placement
  • Gospel articulation and swing feel
  • Solo performance in ensemble context
  • Textual expression tied to movement and staging
  • SATB blend and balance with varied dynamic levels

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