Let the Song Begin: SSA, a cappella Choral Octavo
Words and music by Donald Moore
Item: 00-PO-0000414
Minimum order quantity: 20 copies
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About the Composer: Donald Moore

Donald Moore earned his Bachelor of Music in organ performance and Master of Arts in Teaching from Kent State University. He has served as Organist-Choirmaster at Pilgrim United Church of Christ in Cuyahoga Falls, Ohio, and maintains an extensive catalog of over 500 published works across sacred, secular, educational, and pop choral repertoire distributed through Alfred Music Publishing, Hal Leonard, Heritage Music Press, and other major publishers.
Moore's compositions are staples at state contests and festivals nationwide and have been presented at state, regional, national, and international music conventions. He has received the ASCAP Composers Standard Award seventeen times and was recognized by the American Choral Directors Association as one of 400 elite composers of historical significance in American choral music.
Why we love this
Moore crafts this madrigal with genuine pedagogical intelligence. The independent vocal lines teach voice independence and blend without sacrificing the joy of the text, and the terraced dynamics create natural interpretive moments that student singers can own immediately. Its dual identity as both concert opener and a cappella feature means it earns real stage time rather than sitting in the folder.
What to expect
Fresh and energetic. The madrigal idiom brings a sense of play and conversation between voices, while the "music" text and joyful character create an infectious optimism that audiences feel immediately. This is music that celebrates the act of singing itself.
Who it's for
SSA choirs ranging from developing high school singers to experienced collegiate ensembles. The independent voice writing demands genuine musical literacy without requiring advanced vocal technique, making it equally valuable for singers building confidence and for polished groups seeking repertoire with real musical substance.
How to get the most out of it
- Build phrase awareness by rehearsing each voice part independently first, then layer voices gradually so singers understand their role in the harmonic movement.
- Shape the terraced dynamics as dramatic moments rather than mere volume changes; treat each dynamic level as a new emotional color that shifts the character of the piece.
- Emphasize text clarity across all three parts simultaneously; with an a cappella madrigal, diction is your only visual aid for the audience.
How to use it
Open a concert with this piece to establish an upbeat, approachable mood that draws listeners in immediately. It also works beautifully as the centerpiece of a madrigal or a cappella set, anchoring a program of contrasting secular works while giving your choir a moment to shine in a cappella texture.
Skills your students will build
- Independent voice part singing and blending within SSA texture
- Terraced dynamic control and phrasing across sustained passages
- Diction clarity and text expression in a cappella performance
- Understanding madrigal style and secular choral conventions