Let It Go Cover Image

Let It Go: String Orchestra Conductor Score & Parts

$60.00 USD
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Let It Go Cover Image

Let It Go: String Orchestra Conductor Score & Parts

Words and music by Kristen Anderson-Lopez and Robert Lopez / arr. Michael Story

Grade: 1.5

Item: 00-51769

$60.00
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Description
Let It Go from Frozen is widely considered one of the best Disney movie songs ever. With its tasteful melodies, creative scoring, and some easy syncopation, Michael Story's new arrangement for your developing string orchestra serves as a multilevel educational experience. There are easy piano, drumset, and percussion parts included, but the arrangement is completely playable by strings alone.(2:10)

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Additional Details
Series: Belwin Pop Beginning String Orchestra
Publisher: Alfred Music
ISBN10: 1-4706-7426-2
ISBN13: 978-1-4706-7426-7
UPC: 038081596433
SKU: 00-51769

More about this title

About the Composer: Kristen Anderson-Lopez

Kristen Anderson-Lopez is a composer and lyricist whose work has defined the sound of contemporary Disney animation. Her collaborations with Robert Lopez on the Frozen soundtrack earned widespread critical acclaim, establishing her as a distinctive voice in musical theater and film music composition.

Why we love this

Michael Story's arrangement captures the emotional arc of this modern classic while remaining genuinely accessible to developing orchestras. The scoring balances tutti moments with transparent writing that allows individual sections to shine, and the optional percussion and piano parts let you scale the arrangement to your ensemble's instrumentation without sacrificing musical integrity.

What to expect

This arrangement preserves the intimacy and power of the original song, translating its emotional journey into orchestral color. The writing moves from reflective, open textures into fuller, more assertive moments, creating a satisfying arc that feels earned rather than imposed.

Who it's for

String orchestras at the early intermediate level seeking repertoire that engages students with recognizable, meaningful material. Directors building programs that blend contemporary film music with orchestral development will find this piece both pedagogically sound and audience-friendly.

How to get the most out of it

  • Shape the opening melody with careful attention to phrasing; the syncopation needs clarity, not rigidity, so allow the lines to breathe naturally across the bar lines.
  • Balance the string sections closely during unison passages; slight imbalances in tone between sections will be exposed, so rehearse viola and cello lines with particular focus.
  • Use the optional percussion and piano parts to reinforce energy during climactic moments, but resist the urge to let them overshadow the string writing, which carries the emotional weight throughout.
  • Work toward a warm, singing tone in the sustained passages; this arrangement relies on legato string playing to convey the lyrical quality of the original.

How to use it

Program this early in a concert to build audience connection and set a contemporary tone; its 2:10 duration makes it ideal for opening a set or as a palate-cleansing piece between heavier classical works. The arrangement also works well in pops or family concerts, where it can anchor a Disney-themed set or stand alone as a well-crafted contemporary selection.

Skills your students will build

  • Reading syncopated rhythms in a musical context
  • Balancing transparent harmonic writing across string sections
  • Sustaining legato singing tone through longer phrases
  • Responding to optional percussion and keyboard parts while maintaining string independence
  • Interpreting dynamic shape and phrasing in contemporary arrangement

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