Leaf in the Wind Cover Image

Leaf in the Wind: String Orchestra Conductor Score

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Leaf in the Wind Cover Image

Leaf in the Wind: String Orchestra Conductor Score

By Coleman Jackson

Grade: 3

Item: 98-RWS237901

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Description
This expressive lyrical work reminds us of the beautiful moments in life as we react and interact with forces of nature and our fellow humankind. Featuring several solo opportunities, the composer gives us a beautiful and memorable melody that is passed throughout the ensemble. An excellent opportunity to teach both ensemble skills and musicality. Highly recommended.

Original Item#: RWS-2379-01

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Additional Details
Series: RWS - Concert Strings
Publisher: RWS Music Company
ISBN10: 1-4706-9612-6
ISBN13: 978-1-4706-9612-2
UPC: 038081611976
SKU: 98-RWS237901

More about this title

Why we love this

Jackson writes with genuine lyricism here, trusting the melody to do the storytelling rather than burying it under dense orchestration. The solo opportunities scattered throughout the ensemble mean every section gets a moment to shine, which makes rehearsals feel inclusive and gives students real ownership of the piece. It's the kind of work that reminds conductors why teaching musicality matters as much as teaching notes.

What to expect

There's a gentle, reflective quality here that unfolds naturally, like watching something small respond to larger forces around it. The lyricism is genuine without being sentimental; the piece honors both moments of stillness and subtle movement. It feels honest in a way that young string players respond to immediately.

Who it's for

Grade 3 string orchestras ready to tackle expressive, character-driven literature. Directors looking to develop musicality alongside technical facility will find this piece both accessible and rewarding; students get early exposure to what it means to play with intention and shape.

How to get the most out of it

  • Shape the main melody with a long, sustained phrase arc rather than breaking it into smaller gestures; the piece thrives on continuity and flow across the solo passages.
  • Balance the solo lines against the accompaniment carefully in rehearsal. Solo players often need permission to sit slightly forward dynamically without the supporting voices swelling to match them.
  • Use the natural rubato opportunities in the lyrical sections to teach expressive timing; this piece rewards conductors who give musicians space to breathe between musical ideas.
  • Attend to the interplay between sections as the melody passes. Smooth handoffs feel effortless only when each player knows exactly where the phrase is going next.

How to use it

Pair this with a contrasting work to balance a concert program. Its lyrical, introspective character makes it an ideal second or third piece after something more energetic, or a graceful opener if you want to set a contemplative tone early. It also works well as a standalone feature in a winter or spring concert focused on expressive playing.

Skills your students will build

  • Sustaining lyrical phrases across multiple measures
  • Passing a primary melody smoothly between sections
  • Balancing solo lines against accompaniment textures
  • Dynamic shaping and expressive phrasing in an ensemble context
  • Responding musically to harmonic motion and text imagery

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