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Last Christmas: String Orchestra Conductor Score

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Last Christmas Cover Image

Last Christmas: String Orchestra Conductor Score

Words and music by George Michael / arr. Chris M. Bernotas

Grade: 2

Item: 00-50772S

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Description
As classic as Santa and Rudolph, George Michael's iconic Wham! hit has been covered by Taylor Swift and Ariana Grande. Now it's your orchestra's turn. A snap to rehearse and program, this Chris M. Bernotas arrangement is suitable for all-level string orchestras to usher in the holiday season. Optional percussion will add an extra touch! (2:30)

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Additional Details
Series: Pop Intermediate String Orchestra
Publisher: Alfred Music
Page Count: 12
ISBN10: 1-4706-6727-4
ISBN13: 978-1-4706-6727-6
UPC: 038081585901
SKU: 00-50772S

More about this title

About the Composer: George Michael

George Michael emerged as one of the most distinctive voices in 1980s pop music, first as the driving force behind Wham! and later as a solo artist. His gift for crafting infectious melodies with genuine emotional depth set him apart from his contemporaries, and his arrangements of his own songs demonstrate a keen understanding of how to layer harmony and countermelody for maximum impact.

For music educators, George Michael's catalog offers something rare in popular music: songs with real harmonic sophistication and accessible melodic hooks that students recognize immediately. His work has become a staple of modern string arrangements precisely because the bones of his compositions support orchestration beautifully.

Why we love this

Students walk in the room already knowing this melody, which means you skip the "convincing them this matters" phase and jump straight to the music making. Bernotas's arrangement captures all the warmth of the original without burying your string sections in needless complexity, making this an ideal choice for orchestras that want genuine holiday depth without sacrificing rehearsal time.

What to expect

Nostalgic and present at once. The arrangement honors the song's iconic 80s production sensibility while letting string texture carry the emotional core that made the original enduring. There's genuine warmth here, not just festive gloss.

Who it's for

String orchestras of any age or experience level looking for contemporary repertoire that registers as both sophisticated and joyful. Holiday concerts especially benefit from arrangements like this that honor the original while giving students genuine musicianship to pursue.

How to get the most out of it

  • Balance the melody between violins and violas early in rehearsals; this tune tends to pull focus, but the arrangement benefits when both sections feel ownership of the line.
  • Lock in the rhythmic pulse before worrying about dynamics. The optional percussion adds pocket without overwhelming, so rehearse that layer only after your strings have the groove secured.
  • Shape the mid-section with real intention rather than just pushing through it. Small dynamic choices here distinguish a forgettable run-through from something your audience actually leans into.
  • Treat sustains as active, not static. The held notes in the accompaniment patterns need breath to feel warm rather than just dutiful.

How to use it

Program this in the second half of your holiday concert, after you've established your orchestra's serious credentials with something classical. It works as a palate cleanser between heavier work, and the optional percussion gives you a chance to feature those players without derailing your string focus.

Skills your students will build

  • Balancing accompaniment patterns with melodic content
  • Executing rhythmic precision in syncopated popular music
  • Shaping long sustains with dynamic intention
  • Responding to optional parts without losing ensemble cohesion

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