La sortija Cover Image

La sortija: String Orchestra Conductor Score

$5.00 USD
Sale price  $5.00 USD Regular price 
Skip to product information
La sortija Cover Image

La sortija: String Orchestra Conductor Score

By Michael S. O'Brien

Grade: 3

Item: 98-ST6313S

$5.00
Shipped

One moment…

Description
Based on the lively milonga dance of Argentina, this exuberant work settles into an infectious groove with highly rhythmic melodies. There are featured melodies for violin, viola and cello, while the basses provide the habañera dance rhythm. Minimal shifting (with sections in D Major and D minor) allow players to focus on the rhythm challenges in the right hand. Fun!

La sortija: String Orchestra Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: FJH String Orchestra
Publisher: The FJH Music Company, Inc.
UPC: 241444570944
SKU: 98-ST6313S

More about this title

Why we love this

O'Brien captures the infectious pulse of Argentine milonga without getting bogged down in technical demands. The rhythmic clarity of the writing puts the focus where it belongs: on groove and ensemble precision rather than finger gymnastics. Your orchestra will feel the energy the moment they start counting in.

What to expect

Sunshine and movement. The habanera pulse underneath creates an irresistible forward motion, while the featured melodies dance above with joy and personality. It's the kind of piece that makes an audience smile before the final note sounds.

Who it's for

Grade 3 string orchestras ready to explore world music with compositional integrity. This work suits ensembles that have solid intonation and can handle rhythmic independence within a section, but don't need advanced shifting or technique.

How to get the most out of it

  • Establish the habanera rhythm in the bass section first. Once that foundation locks in, the entire texture clicks into place. Spend rehearsal time isolating the bass line before bringing in the full ensemble.
  • Balance the featured melodic lines (violin, viola, cello) so they sing over the rhythmic texture without sacrificing the drive. These moments need clarity without becoming soloistic.
  • Lean into the milonga character by keeping the tempo buoyant and letting the rhythm breathe naturally. Avoid dragging; let the infectious groove carry the piece forward.

How to use it

Program this as a contrast piece in a concert mixing styles and cultures. It works equally well as an opener that energizes the room or as a bridge between a classical work and something more contemporary. The contest/festival designation suggests it's built to stand on its own in adjudicated settings.

Skills your students will build

  • Rhythmic independence and ensemble precision in a syncopated context
  • Reading and executing the habanera rhythm in the bass section
  • Balancing accompanying rhythmic figures with featured melodic lines
  • Stylistic interpretation of Latin American dance music
  • Intonation stability in D Major and D minor with minimal position shifts

You May Also Like