La Musica (The Music): 2-Part Choral Octavo
(The Music)
Music by Jay Althouse
Item: 00-PO-0002903
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Description
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More about this title
About the Composer: Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was recognized with the Distinguished Alumni award. Early in his career, he spent eight years managing rights and licenses for a major educational music publisher and served on the Executive Board of the Music Publishers Association of America. His prolific output as a composer includes more than 800 choral works performed widely across the English-speaking world.
Althouse has extended his influence beyond composition through numerous collaborative projects and educational resources. He co-wrote children's musicals with his wife Sally K. Albrecht, curated celebrated vocal solo collections including Folk Songs for Solo Singers, and authored or co-authored several classroom reference books such as The Complete Choral Warm-up Book, Accent on Composers, and Ready to Read Music. His work has earned consistent recognition from ASCAP, and he served the North Carolina Master Chorale as a board member. He currently contributes to the Folk Art Society of America's National Advisory Board.
Why we love this
Althouse captures the infectious energy of a specific time and place without resorting to stereotypes or oversimplification. The rhythmic foundation sits perfectly within reach for middle-level two-part choirs, allowing singers to feel the groove rather than struggle with it, while the English-Spanish text naturally invites cross-cultural conversation among your ensemble. If your students have connected with his other Latin-inflected works, this sequel deepens that musical relationship with fresh material that feels both contemporary and carefully crafted.
What to expect
The piece pulses with the warmth and vitality of Cuban musical traditions, layering smooth harmonic textures over an insistent, hypnotic beat that makes you want to move. A haunting melody floats above the rhythmic foundation, creating space for reflection amid the energy, while the blend of English and Spanish text reminds singers that music transcends linguistic boundaries.
Who it's for
Two-part choirs spanning middle school through adult community ensembles will find this piece accessible and engaging. Directors seeking secular repertoire with global resonance and a contemporary flavor will appreciate both its musical substance and its thematic message about music as shared cultural experience.
How to get the most out of it
- Establish the Latin rhythmic pulse early in rehearsals by having the ensemble speak or clap the underlying clave pattern before adding melody and harmony.
- Balance the hypnotic rhythm section with the melody line so neither overshadows the other; the piece thrives when both elements are equally present.
- Encourage crisp articulation on the Spanish phrases to give them textural distinction from the English sections and honor their authenticity.
- If using the SoundTrax accompaniment, rehearse with it frequently so singers internalize the harmonic and rhythmic context before performing live.
How to use it
Position this on a concert celebrating world music, multicultural perspectives, or contemporary choral composition alongside other works that explore cultural fusion. It works equally well as a high-energy opener that sets an audience's mood or as a vibrant closer that sends listeners out energized. The piece's accessibility and cross-cultural themes make it suitable for school assemblies, community celebrations, or any program that values connection and shared artistic expression.
Skills your students will build
- Singing rhythmic patterns rooted in Latin music traditions
- Balancing melodic and rhythmic responsibilities within a choral texture
- Articulating Spanish pronunciation and phrasing alongside English text
- Maintaining a steady pulse in the context of syncopated accompaniment
- Blending two-part harmony while preserving rhythmic independence