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La Musica: Choral Octavo SoundTrax CD

$27.99 USD
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La Musica Cover Image

La Musica: Choral Octavo SoundTrax CD

(The Music)

Music by Jay Althouse

Item: 00-21826

$27.99
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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081212173
SKU: 00-21826

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he received the Distinguished Alumni award. Early in his career, he worked for eight years as a rights and licenses administrator at a major educational music publisher and served on the Executive Board of the Music Publishers Association of America.

As a composer, Althouse has created more than 800 choral works performed regularly across the English-speaking world. He is a writer member of ASCAP and a consistent recipient of the ASCAP Special Award for his compositions. Beyond his choral output, he has co-written children's musicals with his wife Sally K. Albrecht, compiled acclaimed vocal solo collections, and authored classroom resources including The Complete Choral Warm-up Book, Accent on Composers, and Ready to Read Music. He and Albrecht co-wrote I Hear America Singing, performed by the San Francisco Girls and Boys Choirs at President Barack Obama's 2009 Inauguration. Althouse has served on the board of the North Carolina Master Chorale and currently sits on the National Advisory Board of the Folk Art Society of America.

Why we love this

Althouse brings the energy and accessibility of Latin styles into an arrangement that sits perfectly for mixed choirs without requiring specialized technique or extensive rehearsal time. The SoundTrax CD accompaniment frees you from needing piano support while maintaining the authentic rhythmic drive that makes the piece memorable. This is the kind of multicultural repertoire that feels genuinely musical rather than merely representative, giving singers something joyful to perform and audiences something immediate to connect with.

What to expect

La Musica carries the warmth and vitality of Latin music into a choral setting that feels natural rather than imposed. The piece invites singers to move and breathe with the rhythm while maintaining the clarity and blend expected of choral singing, creating an experience that is both celebratory and musical.

Who it's for

Mixed-voice choirs (treble, alto, tenor, bass) seeking accessible Latin and multicultural material that engages singers and audiences alike. Directors programming concerts that celebrate diverse musical traditions will find this piece both musically satisfying and straightforward to rehearse, especially with the SoundTrax accompaniment support.

How to get the most out of it

  • Let the recorded accompaniment establish the rhythmic groove early in rehearsal; have singers listen actively to the percussion and bass lines before they join in, so they lock into the pocket rather than fighting the beat.
  • Work the Spanish text slowly and deliberately, isolating vowel sounds and consonant clusters in short phrases before assembling full lines; singers often rush unfamiliar language when unsure.
  • Shape the dynamics around the natural peaks of the melodic contour and harmonic progression rather than singing at a uniform level; this maintains energy without exhausting voices over the full performance.
  • Mark breath points together as an ensemble and respect them consistently; coordinated breathing in Latin-inflected music is essential for rhythmic cohesion.

How to use it

Program this alongside other world music selections to build a thematic set, or place it as a concert brightener between more serious works to reset audience energy. It also works excellently as a finale or concert closer when you want to send the audience out on a joyful note.

Skills your students will build

  • Singing in Spanish with accurate vowel consistency and clear diction
  • Responding to and locking into Latin rhythmic patterns and percussion-driven accompaniments
  • Maintaining ensemble cohesion across multiple independent rhythmic lines
  • Shaping and controlling dynamics within a high-energy, groove-based arrangement

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