Kyrie Eleison Cover Image

Kyrie Eleison: SATB Choral Octavo

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Kyrie Eleison: SATB Choral Octavo

Music by Brian Lewis

Item: 00-21706

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Description
Solid choral writing, expressive legato, and a breathtaking melodic theme can't be missed in this contemporary work appropriate for concerts, contests, and festivals. This gorgeous setting of the traditional Kyrie text begins with a molto expressivo A section, moves through a stunning piu mosso in the B section, and gracefully returns to the hushed opening theme that will gently float in the voices of your mixed choir. Elegant and effective.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081210995
SKU: 00-21706

More about this title

About the Composer: Brian Lewis

Brian Lewis

Brian Lewis holds degrees in composition from Baldwin-Wallace Conservatory and conducting from Western Michigan University, where he also earned his teaching certification. His musical training spans both concert and film; after teaching in Michigan public schools, he pursued advanced study in film scoring at USC. Lewis has served as composer in residence at Portage Northern High School, where his commissioned works have been performed by student ensembles.

His background in both choral pedagogy and cinematic composition shapes music that balances emotional depth with practical singability. You can reach Brian at scoresfilm@yahoo.com.

Why we love this

This piece gives mixed choirs a contemporary sacred work that sounds far more sophisticated than it is to prepare. The contrast between the hushed, expressive opening and the propulsive B section creates genuine dramatic arc without requiring extreme vocal demands, making it equally rewarding in concert or competitive festival settings.

What to expect

The opening unfolds with quiet reverence, voices suspended in sustained legato as a gentle melodic contour emerges. The middle section ignites with forward motion and harmonic interest, then the piece retreats back into intimate stillness, the familiar theme floating like an echo.

Who it's for

Mixed choirs seeking repertoire that bridges sacred tradition with accessible contemporary writing. This piece works for high school, community college, community, and semi-professional ensembles preparing for concerts, festivals, or contests.

How to get the most out of it

  • Shape the molto expressivo A section with a unified approach to breath placement; the legato writing depends on singers releasing notes cleanly while sustaining the line's momentum.
  • The piu mosso section needs rhythmic clarity and forward energy. Bring the tempo up enough that it feels genuinely brisk, not just slightly faster than the opening.
  • Balance the return to the hushed theme by allowing the dynamic to settle gradually rather than dropping abruptly; let the piece breathe into its final moments.
  • Consider the traditional Kyrie text as an anchor for interpretation. Even contemporary harmonic language serves the prayer's intimate, meditative quality.

How to use it

Program this as a centerpiece of a sacred music set, where it can balance longer liturgical works or more austere settings of traditional texts. Its 12-page length and moderate difficulty make it ideal for spring concert or festival programming when choirs have adequate rehearsal time to achieve the expressive legato the piece demands.

Skills your students will build

  • Sustaining legato phrasing across phrase lengths
  • Balancing expressive restraint with emotional depth
  • Executing tempo and dynamic contrasts between multiple sections
  • Blending upper and lower voice lines in contemporary harmonic language

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