Krakatoa Cover Image

Krakatoa: Concert Band Conductor Score & Parts

$55.00 USD
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Krakatoa Cover Image

Krakatoa: Concert Band Conductor Score & Parts

Mountain of Fire

By William Owens

Grade: 2.5

Item: 98-B1385

$55.00
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Description
This stunning and powerful work recalls the massive Krakatoa explosions of 1883 that were heard over 2,000 miles away. The piece begins with an immediate intensity using dissonant ascending notes representing burning lava, while low voices and percussion signify the thunderous blasts. A haunting slow section follows, exuding fear and uneasy anticipation. The music then becomes frantic and highly rhythmic as it leads to the huge eruption, depicted by well-written aleatoric passages that occur over booming bass lines. The "aftermath" is strangely quiet, but soon the angry mountain speaks once more in a powerful and thrilling ending!

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Additional Details
Series: FJH Young Band
Publisher: The FJH Music Company, Inc.
UPC: 674398224173
SKU: 98-B1385

More about this title

About the Composer: William Owens

William Owens

William Owens has spent three decades shaping young musicians as a band director while establishing himself as one of the most prolific composers for developing ensembles in North America. A VanderCook College of Music graduate, he has created over 300 works since 1993 for concert band, string orchestra, and small ensemble; his compositions regularly appear on state music lists and serve as teaching staples across the country. His writing is defined by a pragmatic understanding of what young players can accomplish, paired with genuine musical substance.

Throughout his career, Owens has earned recognition from major organizations including ASCAP, the American Bandmasters Association, and the Texas Bandmasters Association, along with commissions from regional colleges and national fraternities. After retiring from full-time teaching in Fort Worth, he continues to influence music education through his compositions, which have been featured in educational texts and analyzed as models of effective young band writing. His work reflects decades of direct experience in the rehearsal room.

Why we love this

Owens captures the visceral drama of a natural disaster while keeping the technical demands reasonable for Grade 2.5 players. The aleatoric passages give younger musicians a taste of contemporary compositional techniques without sacrificing musical coherence, and the narrative arc from anticipation through eruption to quiet aftermath holds audience attention from start to finish.

What to expect

Krakatoa immerses players and listeners in a sonic journey from rumbling anticipation to overwhelming force to eerie calm and defiant finale. The dissonant colors and rhythmic energy create an exciting, sometimes unsettling atmosphere that keeps everyone engaged, while the narrative structure makes the music feel inevitable and emotionally satisfying.

Who it's for

Young concert bands at the Grade 2.5 level who are ready to tackle contemporary techniques and dramatic storytelling without overextending their technical abilities. Directors seeking a festival or contest piece that combines accessibility with genuine musical substance and theatrical appeal will find this work rewarding for both students and audiences.

How to get the most out of it

  • Invest time in the aleatoric sections so students understand they are coordinated events, not truly improvised chaos. Mark clear entry and exit points in rehearsal; the written parts guide what players do within those moments.
  • Balance the dissonant ascending figures in the opening so they build tension without sounding inaccurate. Precision in pitch and articulation makes the dissonance intentional rather than rough.
  • Let the haunting slow section breathe. Young players sometimes rush quiet passages; this section's unease depends on space and restraint in the phrasing.
  • Shape the final climax with dynamics and articulation clarity so the ending feels earned and powerful, not just loud. The return of the angry mountain needs to sound deliberate and controlled.

How to use it

This work serves as an excellent contest or festival selection that stands apart from traditional concert band fare while remaining accessible to developing ensembles. It also programs well as a centerpiece piece that demonstrates your band's versatility in tone and technique, especially when paired with contrasting classical or lyrical selections.

Skills your students will build

  • Reading and executing aleatoric notation within coordinated ensemble passages
  • Balancing dissonant harmony and unconventional tone colors
  • Sustaining intensity through rhythmically complex sections
  • Shaping contrasting tempos and character within a single work
  • Creating dramatic effect through precision rather than volume

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