Krakatoa Cover Image

Krakatoa: Concert Band Conductor Score

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Krakatoa: Concert Band Conductor Score

Mountain of Fire

By William Owens

Grade: 2.5

Item: 98-B1385S

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Description
This stunning and powerful work recalls the massive Krakatoa explosions of 1883 that were heard over 2,000 miles away. The piece begins with an immediate intensity using dissonant ascending notes representing burning lava, while low voices and percussion signify the thunderous blasts. A haunting slow section follows, exuding fear and uneasy anticipation. The music then becomes frantic and highly rhythmic as it leads to the huge eruption, depicted by well-written aleatoric passages that occur over booming bass lines. The "aftermath" is strangely quiet, but soon the angry mountain speaks once more in a powerful and thrilling ending!

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Additional Details
Series: FJH Young Band
Publisher: The FJH Music Company, Inc.
UPC: 241444488560
SKU: 98-B1385S

More about this title

About the Composer: William Owens

William Owens

William Owens brings three decades of classroom experience to his compositional voice. A VanderCook College of Music graduate and former Texas band director, Owens has established himself as a prolific voice in young band literature, with over 300 published works spanning concert band, string orchestra, and chamber ensembles since 1993.

Owens' approach to composition balances artistic ambition with practical pedagogy. His works appear on festival and contest lists across North America, and many have become textbook examples of effective young band writing. He holds membership in ASCAP and multiple music educator organizations, and was recognized as a Distinguished Alumnus by VanderCook and recipient of the Texas Bandmasters Association's Meritorious Achievement Award.

Why we love this

Owens captures a genuine narrative arc here, moving from raw destruction through vulnerability to defiant power, without resorting to empty sound effects. The Grade 2.5 orchestration gives younger ensembles access to genuinely dramatic, concert-worthy material that holds audience attention and builds conductor confidence. This is the kind of piece that reminds students why they joined band in the first place.

What to expect

Krakatoa unfolds like a documentary of catastrophe. The piece opens with jagged, discordant energy as lava rises, shifts into an eerie, unsettling calm where dread hangs in the air, then explodes into controlled pandemonium before settling into an ominous quiet that feels less like peace and more like gathering strength for one final, unstoppable surge.

Who it's for

This score serves conductors leading developing concert bands ready for repertoire with genuine dramatic stakes. The Grade 2.5 difficulty sits perfectly for ensembles that have mastered fundamentals but crave material beyond straight march and chorale programming.

How to get the most out of it

  • Shape the opening dissonant ascent as a unified gesture rather than scattered pitches; lock the vertical alignment during rehearsal so the "burning lava" reads as a cohesive force.
  • Conduct the aleatoric passages with clear preparatory gestures and defined entrance cues; the controlled chaos needs a steady hand to sound intentional rather than accidental.
  • Allow the slow section genuine space and silence; the unease lands hardest when ensemble voices have room to breathe and listeners feel genuine anticipation.
  • Bring weight to the final eruption through dynamic layering rather than volume alone; let the bass line anchor the power so the upper voices can cut through.

How to use it

Program this as a centerpiece that anchors a concert thematically; it pairs well alongside narrative or elemental-inspired works and gives a season programming backbone. The contest and festival designation makes it ideal for festival repertoire selection, where its dramatic arc and manageable technical demands earn judges' attention.

Skills your students will build

  • Reading and executing controlled aleatoric passages
  • Balancing dissonant chord voicings across the full ensemble
  • Dynamic contrast and phrasing across extended sections
  • Sectional coordination in rhythmically complex passages
  • Sustaining tension and atmosphere in slower, sparsely scored sections

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