Kitty Hawk, 1903 Cover Image

Kitty Hawk, 1903: Concert Band Conductor Score

$14.00 USD
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Kitty Hawk, 1903 Cover Image

Kitty Hawk, 1903: Concert Band Conductor Score

By William Owens

Grade: 2.5

Item: 98-B1454S

$14.00
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Description
The very first groundbreaking flight made by the Wright Brothers at Kitty Hawk comes alive through this stunning programmatic work. Beginning slowly with eager anticipation, the melody soon takes off, giving a truly euphoric feeling of flying. The introspective slow section focuses on Wilbur and Orville themselves before the rousing conclusion. Unique and unparalleled!

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Additional Details
Series: FJH Young Band
Publisher: The FJH Music Company, Inc.
UPC: 241444495322
SKU: 98-B1454S

More about this title

About the Composer: William Owens

William Owens

William Owens has spent decades building a reputation as one of the most prolific and practical voices in young band composition. A 1985 graduate of VanderCook College of Music, he spent 30 years as a band director in Texas before retiring in 2014, giving him deep insight into what works in the rehearsal room. His output spans over 300 published titles across concert band, string orchestra, and chamber settings, many of which appear on state required lists and serve as repertoire anchors in programs across North America.

Owens holds membership in ASCAP, the Texas Music Educators Association, and Phi Beta Mu International, and has received commissions from the South Plains College Department of Fine Arts, Phi Beta Mu, and the American Bandmasters Association. His alma mater recognized him as a Distinguished Alumnus, and the Texas Bandmasters Association honored his contributions with their Meritorious Achievement Award. He resides in Fort Worth with his wife Georgia and brings the same clarity and purposefulness to his writing that defined his years in the classroom.

Why we love this

Owens crafts programmatic narrative without sacrificing musical substance. The arc here is genuinely moving: anticipation building into flight, introspection on the human accomplishment, then triumph. At Grade 2.5, the writing respects young players' developing abilities while demanding real musicianship and ensemble awareness. Directors appreciate that the story unfolds through the music itself, not through program notes doing the work.

What to expect

The piece opens with restless energy and mounting excitement, as though the band itself is preparing for launch. When the melody takes flight, there's an unmistakable euphoria; the harmonies lift, the texture opens, and the whole ensemble experiences the weightlessness of flight. The slow, reflective middle asks players to think about the people behind the achievement, settling into a more introspective emotional space before the rousing final section returns to triumph and celebration.

Who it's for

This score is designed for Grade 2.5 concert bands ready to tackle text-based storytelling through music. Ensembles with solid fundamentals in breath control, balance, and phrasing will bring the narrative to life most effectively. The writing fits perfectly in a band that has moved beyond pure technical exercises but isn't yet prepared for advanced harmonic complexity.

How to get the most out of it

  • Shape the opening section with patience. Resist rushing into the flight material; let the eager anticipation build naturally so the takeoff feels earned rather than sudden.
  • Balance the solo lines in the introspective slow section so they don't get swallowed by accompaniment. This moment honors the Wright brothers as people, not just historical figures.
  • Bring full energy to the conclusion without losing clarity. Young players often equate louder with better, so ensure precision in the fast passage work during the final push.
  • Use the dynamic and articulation markings as your emotional roadmap. Owens writes specifically; every accent and hairpin serves the programmatic intent.

How to use it

This works beautifully on a concert celebrating American achievement and innovation, paired perhaps with other patriotic selections that tell a nation's story. It also serves well as a contest or festival piece, where the clear programmatic arc and accessible Grade 2.5 writing give young ensembles every chance to succeed while the musical substance holds judges' attention. Consider programming it mid-concert, where its emotional range provides welcome contrast to purely abstract concert band works.

Skills your students will build

  • Phrasing and musical storytelling through dynamic shape and articulation
  • Balance between melody and accompaniment in a multi-textured ensemble
  • Sustaining tone quality across varying dynamic levels
  • Ensemble cohesion during rapid passage work in the final section
  • Interpretation of programmatic intent and translating narrative to musical expression

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