[Jungst]aposed: Concert Band Conductor Score & Parts

Fitzpatrick crafts a piece that swings between multiple meters without ever losing its forward momentum, giving your band genuine rhythmic sophistication to sink their teeth into. The dedication to Rudy Jungst adds meaningful context for your program notes, and the four-minute duration fits perfectly into festival schedules and concert slots. This is the kind of high-energy showcase that energizes a band mid-program while demanding real precision from every section.

Rhythmic energy pulses through every measure. The multi-meter shifts create a sense of forward drive rather than complexity, building momentum that keeps listeners engaged. This is music designed to catch the attention of an audience and hold it.

This work belongs on the stand of any Grade 4 to Grade 5 concert band ready to tackle modern compositional techniques. Directors programming festival contests or concert showcases will find a piece that demonstrates student musicianship across rhythm, articulation, and ensemble balance without requiring advanced soloists.

• Establish a steady pulse before the first rehearsal; the meter shifts are intentional compositional choices, not obstacles. Mark the transitions clearly in the score so your ensemble can anticipate them rather than react to them.
• Balance the rhythmic complexity across sections by isolating parts in sectionals. Trumpet and clarinet lines often carry critical rhythmic material; make sure those sections lock before bringing everything together.
• Treat the high-energy sections as opportunities for ensemble cohesion, not individual virtuosity. The piece thrives when all voices maintain the same intensity and clarity.

Position this after a lyrical or slower work to shift the concert's energy and showcase your band's technical precision. The four-minute length and contest/concert designation make it ideal for middle-of-program impact, and the dedication to a local music educator gives you a natural talking point in your program notes.

• Reading and executing multiple meters within a single composition
• Maintaining rhythmic precision during meter shifts
• Ensemble balance and blend across rhythmic complexity
• Articulation clarity at high tempos
• Listening and responding to sectional relationships