Jukebox Time Machine Cover Image

Jukebox Time Machine: Teacher's Handbook (100% Reproducible)

$34.99 USD
Sale price  $34.99 USD Regular price 
Skip to product information
Jukebox Time Machine Cover Image

Jukebox Time Machine: Teacher's Handbook (100% Reproducible)

A Presentation of Hits Through the Decades

Arr. Jay Althouse, Tom Anderson, Andy Beck, Alan Billingsley, and Greg Gilpin / title song and opt. script by Andy Beck and Brian Fisher / recording orchestrated by Tim Hayden

Grade: 4 & up

Item: 00-45497

$34.99
Shipped

One moment…

Description
You've never seen anything like our amazing jukebox time machine! Just insert a quarter to travel to a past decade where Roxie, the time machine tour guide, will share a few nostalgic fun facts before dropping the needle on some of the greatest pop hits of all time. Feature up to 32 speakers on the minimal-rehearsal-required script, while all the kids sing and dance along to iconic songs from the 1930s to the 2000s! Complete choreography included. Approximately 40 minutes. Recommended for grades four and up. Titles: Jukebox Time Machine * Music! Music! Music! * She Loves You * Dancing Queen * Splish Splash * Vogue * Don't Stop Believin' * Breakaway * It Don't Mean a Thing If It Ain't Got That Sing, Sing, Sing.

Jukebox Time Machine: Teacher's Handbook (100% Reproducible) isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Publisher: Alfred Music
Page Count: 88
ISBN10: 1-4706-3592-5
ISBN13: 978-1-4706-3592-3
UPC: 038081512372
SKU: 00-45497

More about this title

About the Arranger: Jay Althouse

Jay Althouse

Jay Althouse studied music education and music at Indiana University of Pennsylvania, where he later received the Distinguished Alumni award. His career spans both publishing administration (where he served on the Executive Board of the Music Publishers Association of America) and composition, with over 800 choral works in print across all levels. His music reaches audiences throughout the English-speaking world, and he holds membership in ASCAP as a composer.

Beyond his compositions, Althouse has collaborated with his wife Sally K. Albrecht on children's musicals and vocal collections, co-authored widely-used resources like The Complete Choral Warm-up Book and Accent on Composers, and created reproducible classroom materials including Ready to Read Music and One-Page Composer Bios. He co-wrote I Hear America Singing, performed by the San Francisco Girls and Boys Choirs at President Obama's inauguration in 2009. Based in Wake Forest, North Carolina, he serves on the National Advisory Board of the Folk Art Society of America.

Why we love this

This handbook moves beyond standard musicals by pairing minimal rehearsal demands with genuine production value. The jukebox framing makes cross-generational music feel natural for elementary singers, and the 40-minute runtime plus flexibility to feature up to 32 soloists means you can build the show around your ensemble's strengths rather than forcing them into predetermined casting.

What to expect

A celebration wrapped in nostalgia. The jukebox concept lets your singers step into a time machine with a charismatic guide, creating a theatrical frame that makes classic pop hits feel fresh and purposeful. There's energy, humor, and genuine fun built into every decade as the music hops from the 1930s straight into the 2000s.

Who it's for

Grade 4 and above singers seeking a full-length musical that doesn't demand weeks of intensive rehearsal. This works for elementary, middle, and even early high school programs where you need high engagement, broad cast opportunities, and music your students already know and love.

How to get the most out of it

  • Teach the iconic chorus moments first (like "Dancing Queen" and "Don't Stop Believin'"). Students memorize these faster because they already know them, which builds confidence early and gives you solid anchors for the rest of the rehearsal process.
  • Use the recorded accompaniment during full run-throughs rather than early rehearsals. This prevents singers from becoming dependent on it and forces them to develop internal ensemble awareness.
  • Choreography works best when learned in short, isolated sections then layered back into the music. Avoid teaching movement and melody simultaneously during the same rehearsal.
  • Assign Roxie's speaking role strategically. This character carries significant stage presence and narrative momentum, so cast someone with clear diction and comfort in front of an audience, not necessarily the strongest singer.

How to use it

Perfect for spring concerts, end-of-year celebrations, or PTA fundraiser galas where you need something entertaining for mixed age audiences. The reproducible handbook means you can run multiple casts across different schools or performance dates without licensing complications, making it ideal for districts doing coordinated programming.

Skills your students will build

  • Performing music already in popular culture (identifying stylistic differences across decades)
  • Coordinating singing with choreography and staged movement
  • Sustaining longer narrative arcs through a 40-minute production
  • Part independence within ensemble contexts (managing multiple simultaneous vocal lines in large casts)
  • Ensemble blend and balance in pop-based arrangements

You May Also Like