Jukebox Time Machine Cover Image

Jukebox Time Machine: Teacher's Handbook & Online PDF/Audio

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Jukebox Time Machine Cover Image

Jukebox Time Machine: Teacher's Handbook & Online PDF/Audio

A Presentation of Hits Through the Decades

Arr. Jay Althouse, Tom Anderson, Andy Beck, Alan Billingsley, and Greg Gilpin / title song and opt. script by Andy Beck and Brian Fisher / recording orchestrated by Tim Hayden

Grade: 4 & up

Item: 00-45496

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Description
You've never seen anything like our amazing jukebox time machine! Just insert a quarter to travel to a past decade where Roxie, the time machine tour guide, will share a few nostalgic fun facts before dropping the needle on some of the greatest pop hits of all time. Feature up to 32 speakers on the minimal-rehearsal-required script, while all the kids sing and dance along to iconic songs from the 1930s to the 2000s! Complete choreography included. Approximately 40 minutes. Recommended for grades four and up. Titles: Jukebox Time Machine * Music! Music! Music! * She Loves You * Dancing Queen * Splish Splash * Vogue * Don't Stop Believin' * Breakaway * It Don't Mean a Thing If It Ain't Got That Sing, Sing, Sing.

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Additional Details
Publisher: Alfred Music
Page Count: 88
ISBN10: 1-4706-3591-7
ISBN13: 978-1-4706-3591-6
UPC: 038081512365
SKU: 00-45496

More about this title

About the Arranger: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was recognized as a Distinguished Alumnus. He spent eight years in educational music publishing as a rights and licenses administrator and served on the Executive Board of the Music Publishers Association of America. As a composer, Althouse has over 800 choral works in print performed internationally across all ensemble levels. He holds ASCAP membership and is a regular recipient of the ASCAP Special Award for composition.

Beyond composition, Althouse has co-authored several children's musicals with his wife, Sally K. Albrecht, edited widely-used vocal solo collections, and written widely-adopted classroom resources including The Complete Choral Warm-up Book, Accent on Composers, and Ready to Read Music. His choral work I Hear America Singing, co-written with Albrecht, was performed by the San Francisco Girls and Boys Choirs at President Barack Obama's inauguration in 2009. Althouse resides in North Carolina and serves on the National Advisory Board of the Folk Art Society of America.

Why we love this

This production delivers genuine theatrical fun without demanding extensive rehearsal time from a busy music teacher. The pop hits span nearly a century of recognizable music, so every student finds something they connect with, and the minimal-rehearsal-required script keeps the focus on performance energy rather than complex dialogue.

What to expect

A joyride through pop history where every student gets to sing, dance, and celebrate the music that shaped generations. The production moves with infectious energy, hopping from one iconic era to the next, creating a party atmosphere where fun and performance coexist.

Who it's for

Elementary and middle school choirs in grades 4 and up looking for a full-length musical that requires minimal rehearsal from the director. This works especially well for schools where performance experience matters but director preparation time is limited, and for programs that want high student engagement with familiar, beloved music.

How to get the most out of it

  • Assign roles beyond Roxie strategically. With up to 32 speakers, even non-solo singers get featured moments; cast students who need confidence-building in individual speaker roles during different decades.
  • Rehearse the choreography as its own rehearsal unit separate from the singing. Block movements in 2-3 minute chunks and reinforce them frequently so students internalize staging and can focus on vocal performance.
  • Use the recorded accompaniments to establish tempo and energy early. Let students hear how each era's arrangement sounds before teaching parts, so they grasp the stylistic intention of each decade.
  • Build in brief talk-throughs of the nostalgic facts Roxie shares. Students who understand why these songs mattered become more invested performers, and the context makes transitions between decades feel purposeful rather than random.

How to use it

Program this as a spring concert centerpiece or year-end celebration when you want maximum audience appeal and student enjoyment in a single production. The 40-minute runtime also makes it ideal for arts assemblies, community festivals, or evening programs paired with a shorter choral set from your repertoire.

Skills your students will build

  • Singing across multiple musical styles and eras (1930s to 2000s pop)
  • Performing choreography while maintaining vocal control and ensemble cohesion
  • Developing stage presence and confidence as solo speakers and ensemble singers
  • Responding to recorded accompaniments with rhythmic accuracy
  • Memorization of extended song material within a dramatic narrative structure

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