Jubilate, Exsultate! Sheet Music Preview

Jubilate, Exsultate!: SSA Choral Octavo

Music and additional words by Victor C. Johnson

Item: 00-PO-0005637

Digital Download
$2.00

Minimum order quantity: 20 copies

Description
Contemporary choral harmonies and a driving piano accompaniment are the hallmarks of this exuberant setting of the timeless Latin text. A legato English language section in the middle provides contrast before an energetic return to the original material. Highly recommended for concert or contest!

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 16
SKU: 00-PO-0005637

More about this title

About the Composer: Victor C. Johnson

Victor C. Johnson

Victor C. Johnson brings decades of choral directing experience to his prolific output as a composer and arranger. Based in Dallas, Texas, he has created over 500 choral works, vocal solos, and keyboard pieces now in circulation, and currently serves as School Choral Editor for Sing!, the educational publishing arm of Choristers Guild.

Johnson's background in directing spans from his tenure at Ft. Worth Academy of Fine Arts (2000-2018), where he led the Academy Singers and Academy Men's Choir while serving as artistic director of the Singing Girls of Texas and Children's Choir of Texas. Since 2022, he has conducted the Dallas Symphony Children's Chorus Mixed Ensemble for the Dallas Symphony Orchestra. His professional memberships include the American Choral Directors Association, Texas Music Educators Association, and ASCAP.

Why we love this

Johnson's setting captures the exuberance of the Latin text while offering genuine musical substance rather than surface energy. The pivot to English language material midway through provides your singers and audience a moment of intimacy before the triumphant return, making this work feel architecturally complete rather than repetitive. The accessible contemporary harmonies sit well for SSA voices without requiring vocal pyrotechnics, yet the piece reads as genuinely sophisticated.

What to expect

Jubilate, Exsultate! radiates forward momentum and joy from the first piano gesture. The contemporary harmonies are colorful without being dissonant, and they propel the text rather than obscure it. When the English section arrives, the emotional landscape opens into something tender and reflective before the original exuberance returns with renewed vitality.

Who it's for

This octavo suits choirs with intermediate to advancing skills who are ready for contemporary harmonic language and stylistic variety. It works equally well for a concert setting or festival competition, and its 16-page length makes it manageable within a typical rehearsal season.

How to get the most out of it

  • Establish the driving accompaniment pattern early in rehearsal; once your pianist anchors the pulse, the choral entries will lock in more quickly.
  • Shape the English language section with careful dynamic control to emphasize its lyrical contrast. This middle passage should breathe differently from the surrounding material.
  • Pay attention to vowel consistency across the three parts, especially in the contemporary harmonic clusters, to maintain blend without sacrificing brightness.
  • Let the energetic return build naturally from the calm of the English section. Avoid rushing; allow the momentum to emerge from rhythmic clarity rather than tempo push.

How to use it

Pair this with a quieter sacred work to frame the English language section as a meditative interlude within a larger concert arc. It also stands effectively as a closing number on a mixed program, where its triumphant energy leaves audiences satisfied. For festival submissions, the clear structure and contemporary style appeal to adjudicators seeking work that balances accessibility with musical integrity.

Skills your students will build

  • Reading and sustaining contemporary harmonic language
  • Balancing legato singing in text-driven sections
  • Navigating rhythmic precision in the accompaniment-driven material
  • Contrasting musical character through dynamic and tonal shaping
  • Maintaining intonation across chromatic movement

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