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Jazz Standards for Vocalists with Combo Accompaniment: Guitar Book

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Jazz Standards for Vocalists with Combo Accompaniment Cover Image

Jazz Standards for Vocalists with Combo Accompaniment: Guitar Book

Arr. Dave Wolpe

Item: 00-29944

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Description
Belwin Jazz offers ten great jazz standards arranged for solo vocalist with a nine or ten piece combo accompaniment. These songs are superbly arranged by one of the finest writers in the business, Dave Wolpe. This collection is ideal for a vocalist who needs a smaller ensemble with four or five horns and rhythm section. The combo horns are trumpet, alto sax, tenor sax, trombone and baritone sax. The baritone sax part adds additional color to the texture but is optional. The rhythm section is scored for guitar, bass, drumset and a piano/conductor part which includes cues for the horns.

Titles include: How High the Moon * I Get a Kick Out of You * I've Got You Under My Skin * Just Friends * My Funny Valentine * Night and Day * Something's Gotta Give * Summer Wind * They Can't Take That Away From Me * Too Close For Comfort

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Additional Details
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-5250-0
ISBN13: 978-0-7390-5250-1
UPC: 038081328133
SKU: 00-29944
Instrumentation: Guitar

More about this title

About the Arranger: Dave Wolpe

Dave Wolpe

Dave Wolpe's arranging career spans nearly six decades, beginning in 1965 and establishing him as a trusted voice for big band repertoire. His work with the Glenn Miller Orchestra encompasses dozens of charts, and his collaborative arrangement on the platinum-selling In the Christmas Mood demonstrates his ability to craft charts that resonate with both performers and audiences.

Beyond the Glenn Miller legacy, Wolpe has contributed arrangements to some of the most storied ensembles in American music, including those led by Ray Anthony, Lawrence Welk, and Les Brown. His consistent demand across these orchestras speaks to a gift for balancing musical sophistication with playability.

Why we love this

Wolpe's scoring for combo gives each horn section member genuine voice without requiring three or four trumpets just to fill the space. The optional baritone sax adds textural depth that lifts these standards above standard vocal backing tracks, while keeping the ensemble size realistic for most programs.

What to expect

These are the songs every jazz vocalist eventually encounters, and Wolpe's arrangements honor their melodic contours while giving the combo room to breathe and respond. The horns weave without overwhelming, and the rhythm section locks into the kind of conversational swing that makes standards feel alive rather than nostalgic.

Who it's for

Vocalists working with chamber jazz ensembles or smaller combo settings will find this collection immediately useful for performance and recital work. Directors building a jazz program need charts that sound full without requiring a twenty-piece big band, and these arrangements deliver exactly that.

How to get the most out of it

  • Let the piano/conductor part anchor your rehearsals. It cues all the horn entrances and gives your rhythm section exactly what the arranger intended, making preparation far more efficient.
  • Treat the rhythm section as a unit. The interplay between guitar, bass, and drums carries the swing feel, so lock in the groove before layering the horns on top.
  • Bring the baritone sax into select moments even if you have one available. Its color works best as a strategic accent rather than as a constant presence throughout every chart.

How to use it

Use this for a mid-winter or spring jazz concert featuring a vocalist with rhythm section as the core ensemble, rotating which horns sit in across different tunes. The ten titles give you programming flexibility, so you can build a full set or distribute them across multiple performances throughout the year.

Skills your students will build

  • Reading and executing jazz comping rhythms on guitar
  • Responding to vocal phrasing and dynamics from the instrumental rhythm section
  • Balancing part independence with ensemble cohesion in a small combo
  • Interpreting swing articulation and ride cymbal coordination
  • Understanding chord function in standard jazz progressions

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